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C.E. Sickles, del., Perine A. Giles, engraver, “Scottish Rite Northern Masonic Jurisdiction 32n…
Scottish Rite Northern Masonic Jurisdiction 32nd Degree Certificate
C.E. Sickles, del., Perine A. Giles, engraver, “Scottish Rite Northern Masonic Jurisdiction 32n…
C.E. Sickles, del., Perine A. Giles, engraver, “Scottish Rite Northern Masonic Jurisdiction 32nd Degree Certificate,” New York City, 1888, Lithograph on paper, 21 × 15 3/4 in., Collection American Folk Art Museum, New York, Gift of Kendra and Allan Daniel, 2015.1.167. Photo by José Andrés Ramírez.
Record Details

Scottish Rite Northern Masonic Jurisdiction 32nd Degree Certificate

Date1888
Place/RegionNew York City, United States
MediumLithograph on paper
DimensionsSheet: 21 x 15 3/4 " (53.3 x 40 cm)
Credit LineGift of Kendra and Allan Daniel
Accession number2015.1.167
CopyrightThe American Folk Art Museum believes this work to be in the public domain.
Description

People mistakenly assume that the name of the Scottish Rite honors the origins of the group in Scotland. The Scottish Rite actually came from France during the 1700s, when it was a series of twenty-five degrees. It followed trade routes to the West Indies and was then introduced to North America. The first Supreme Council in the United States formed in Charleston, South Carolina, in 1801. Today there are two jurisdictions: the Southern Jurisdiction oversees the rite in state “Orients” and local bodies known as “Valleys” and the Northern Masonic Jurisdiction is divided into only Valleys.

This certificate belonged to Robert McGowan Jr. of East Orange, New Jersey, and was presented in 1888. This document allowed the member to prove his receipt of the Thirty-second Degree if he wanted to visit another Valley.

Stacy C. Hollander, "Scottish Rite Northern Masonic Jurisdiction 32nd Degree Certificate," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016.

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. 

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