https://collection.folkartmuseum.org/internal/media/dispatcher/25601/fullРУССКИЕ ПУТЕШЕСТВЕННИКИ В АФРИКЕJanuary 1993Pavel Leonov Oil on canvasPaintingshttps://collection.folkartmuseum.org/objects/8386/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/30789/full1ᵉ TableauMarch 25, 1939Fleury-Joseph CrépinOil on canvas, in original framePaintingshttps://collection.folkartmuseum.org/objects/9283/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8611/full1. The octopus first emerges as a whirl. The “planetary band” is at upper rightJune 24, 1963, 1 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5589/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3242/full2 At Cederine She witnesses a frightful slaughter of officers. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3071/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4115/full2-Sheet Waiterc. 1820Artist unidentifiedPaint on tinplateContainershttps://collection.folkartmuseum.org/objects/4216/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8620/full2. The great umbrella over the top of the world changed into a great octopusMarch 24, 1964, 8:31 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5598/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3203/full3 At Jennie Richee are persued down stream. Puzzle, try and find them, but they're in picture (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/2779/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3243/full3 Place not mentioned / Esposide 3 2 Escape with great number of kids still fighting (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/4622/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8613/full3. The mighty umbrella over the top of the earthMarch 25, 1964, 7:30 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5591/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8616/full4. The octopus prepares to crush the earthMarch 25, 1964, 9:31 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5594/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8619/full5. The earth becomes squeezed in a terrible viseMarch 26, 1964, 2:30 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5597/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3238/full6 At Jennie Richee Have thrilling time while with bombshells bursting all around. Branch of Aronburg Run. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3068/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2603/full6 Episode 3 Place Not Mentioned. Escape during violent storm, still fighting though persed for long distance. Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paper (double-sided)two sided painting. Paper label in center top of one side "Episode 3 Place not mentioned Escape during violent storm, still fighting though 'pessed' for long distance" Side with inscription is considered Side I. Inscription is on top of second panel from left. Each side is four sheets of paper glued together. All figures are nude unless stated otherwise. Side one: Left to Right: 1st panel: 2 small figures with guns LL corner. Large flowers and sunflowers. 2nd panel: 2 meium size figures with rifles and green bird. Edge of 2nd panel into 3rd-- several (5) large figures in foreground and large bushy trees in background with colorful birds and flowers in the trees. 4th panel: 4 medium size figures with rifles. Above them 6 figures (3 girls in dresses, 3 naked ) running toward the left. SIDE II--Left Panel: LL medium size girl in dress with red hair and firing a rifle toward the right. 9 figures running and three girls in dresses. Storm clouds with lightning above. Sunflowers in foreground, 2nd panel - 2 trees at top. Dozen figures, several with blood and 2 with large rifles and bayonets. 3rd panel - figure in large tree at top, 3 prone figures with blood and 2 medium figures running , one with rifle. Large figure with red braided hair shooting rifle toward right. 4th panel: UR house with flowers and tree. Center: 7 figures, 1 with blood on the chest, Bottom: 3 larger figures with rifles shooting toward right. LR corner flowers. Side A: Untitled (Episode 3 Place Not Mentioned) Side B: Untitled (Battle Scene and Approaching Storm) Plate I A,B in bookDrawingshttps://collection.folkartmuseum.org/objects/2263/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8609/full6. The octopus begins crushing the earth something terribleMarch 26, 1964, 2:30 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5587/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3830/full7 Legsc. 1985Bessie HarveyPainted wood with beadsSculpturehttps://collection.folkartmuseum.org/objects/2514/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8612/full7. Two forces at workMarch 26, 1964, 7:37 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5590/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8614/full8. The octopus puts a terrible squeeze onto the earth belowMarch 27, 1964, 4:31 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5592/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8615/full9. Seeing the end of the octopus but the advent of the serpentMarch 28, 1964, 2:16 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5593/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4149/full9th Avenue Elevated1959Vestie E. DavisOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/3077/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/8610/full10. The octopus is whirled and hacked to piecesMarch 29, 1964, 3:31 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5588/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26184/full11. Aftermath: A few weeks later, a big whirl encircles the earthApril 11, 1964, 12:50 PMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5595/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26185/full12. Greater earthquakes are still to comeApril 16, 1964, 2:51 AMMelvin Edward NelsonMineral pigment and watercolor on paperDrawingshttps://collection.folkartmuseum.org/objects/5596/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3236/full18 At Norma Catherine. But wild thunderstorm with cyclone like wind saves them. (double-sided)1940–1950Henry DargerWatercolor, pencil, colored pencil, and carbon tracing on pieced paper Drawingshttps://collection.folkartmuseum.org/objects/3067/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23735/full24-page Académie Sketchpad1976Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperPages numbered 1–24; Assigned letter F by DonorDrawingshttps://collection.folkartmuseum.org/objects/6444/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/22269/full24-sheet Spiral-bound Strathmore drawing pad with 19 drawings1975Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperGift of individual drawings and books of drawings; pages not counted. Bottom Left Corner of book is missing from each page Spiral unraveling @ Upper RightDrawingshttps://collection.folkartmuseum.org/objects/6582/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25662/full25 Patch Quiltc. 1890Artist unidentifiedCotton3.5" 25 patch blocks set on point 7x7, with cream alternate block, 2" outer borderTextileshttps://collection.folkartmuseum.org/objects/7414/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/22270/full30-page Aquabee Co-Mo sketchbook with 22 drawings1975Inez Nathaniel WalkerPencil, colored pencil, and crayon on paperGift of individual drawings and books of drawings; front cover water-stained; drawings good o/a with some cockling at corner; cover torn, worn; spiral binding bent.Drawingshttps://collection.folkartmuseum.org/objects/6579/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/22379/full30-page Spiral-Bound Grumbacher Sketchbook1975Inez Nathaniel WalkerPencil, colored pencil, crayon, and felt-tip pen on paperGift of individual drawings and books of drawings; red cover detached (store separately?Drawingshttps://collection.folkartmuseum.org/objects/6576/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3913/full42nd Street New York Public Library1972Vestie E. DavisFelt-tip pen and crayon on paperDrawingshttps://collection.folkartmuseum.org/objects/2452/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23738/full50-page Académie Sketchpad1975Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperPages numbered 1–50; Assigned letter G by DonorDrawingshttps://collection.folkartmuseum.org/objects/6445/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25860/full50-page Académie Sketchpad1975Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperVery good condition; binding intact; sticker on front @ BR; Letter K assigned by donorDrawingshttps://collection.folkartmuseum.org/objects/6449/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23746/full50-page Académie Sketchpad1975Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperLetter N assigned by Donor; Pages numbered 1–46Drawingshttps://collection.folkartmuseum.org/objects/6452/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23753/full50-page Académie Sketchpad1976Inez Nathaniel WalkerPencil, colored pencil, crayon and ink on paperBroken binding, loose pages. Some pages missing: Letter X assigned by donorDrawingshttps://collection.folkartmuseum.org/objects/6457/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/31870/full50-page Académie Sketchpad1976Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperSketchbook B pages 1–39; Letter B assigned by donor written on bookDrawingshttps://collection.folkartmuseum.org/objects/6440/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/31952/full50-page Académie Sketchpad1975Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperSketchbook H; letter assigned by donor; pages numberedDrawingshttps://collection.folkartmuseum.org/objects/6446/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23731/full50-page Spiral-Bound Sketchbookc. 1990Inez Nathaniel WalkerPencil and colored pencil on paperAll pages filled vertically. cover missing; yellow remnant of cover. pages dog-eared; not signed or dated; Not lettered by donor; assigned letter C by AFAM staffDrawingshttps://collection.folkartmuseum.org/objects/6441/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26223/full50-Page Spiral-Bound Strathmore Drawing Padc. 1989Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperNot all pages present: Assigned letter D by AFAM staff, not by donorDrawingshttps://collection.folkartmuseum.org/objects/6442/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23743/full50-page Spiral-Bound Strathmore Drawing Padc. 1990Inez Nathaniel WalkerPencil and colored pencil on paperNot all pages filled; Strathmore 300 Drawing Series Drawing Pad Letter L assigned by AFAMDrawingshttps://collection.folkartmuseum.org/objects/6450/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/23748/full50-Page Spiral-Bound Strathmore Drawing Padc. 1990Inez Nathaniel WalkerPencil, colored pencil, crayon, felt-tip pen, and ballpoint pen on paper50 page Spiral-Bound Strathmore 300 Series Drawing pad; yellow cover detached. Cover is filled with pencil drawings, mostly crosses or Xes and one figure at Top edge (or right side if viewed horizontally. Sketchbook O; Letter assigned by AFAM. pages not countedDrawingshttps://collection.folkartmuseum.org/objects/6453/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2825/full53 At Jennie Richee Assuming nuded appearance by compulsion race ahead of coming storm to warn their father. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/2927/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3292/full56 At Jennie Richiee. Vivian girls caught in insane fury of crazy thunderstorm bring child slaves to shelter, though 8 are killed. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3142/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/30808/full56-page notebook related to Matriarchy: Freedom in Bondagen.d.Malcolm McKessonInk on paper56-page Compositions notebook, with notes, text and original drawings related to the artist's Matriarchy: Freedom in Bondage novelDrawingshttps://collection.folkartmuseum.org/objects/5583/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/30716/full56-page notebook related to Matriarchy: Freedom in Bondagen.d.Malcolm McKessonInk on papernotebook, with notes, text and original drawings related to the artist's Matriarchy: Freedom in Bondage novelDrawingshttps://collection.folkartmuseum.org/objects/5584/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2906/full73 At Jennie Richee Escape by their help. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/4615/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25864/full100-Page Spiral-Bound Strathmore Sketchpad1976Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperSpiral-bound sketchpad with brown cover; cover soiled with pencil marks at bottom edge; Letter P assigned by DonorDrawingshttps://collection.folkartmuseum.org/objects/6454/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25869/full100-page Strathmore Sketchpad1976Inez Nathaniel WalkerPencil, colored pencil, crayon and ballpoint pen on paperlarge-scale spiral-bound sketchbook; pages numbered 1–99; Letter R assigned by donorDrawingshttps://collection.folkartmuseum.org/objects/6456/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3290/full144 At Jennie Richee. Waiting for the blinding rain to stop. (double-sided)1950–1970Henry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3141/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3291/full145 At Jennie Richee. Hard pressed and harassed by the storm (double-sided)1950–1970Henry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/4623/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3298/full172 At Jennie Richee. Storm continues. Lightning strikes shelter but no one is injured. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3140/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2838/full175 At Jennie Richee. Everything is allright though storm continues. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/3090/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2839/full176 part two. Jennie Richee waiting for the rain to stop as they cannot see Manleys headquaters through the rain shroud. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/4627/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3214/full195 Are unsuccessfully attacked by Glandelinian soldiers unseen in picture, narrowly escape capture by hiding among Balboa bushes. (double-sided)Mid-20th centuryHenry DargerWatercolor, pencil, and carbon tracing on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/2006/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25990/full365 Days of the Year2007Geri ForknerWoven found papermade from shredded and woven strips of junk mail, french fry containers, holiday cards, tickets "quilt"Textileshttps://collection.folkartmuseum.org/objects/8061/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3389/full1909 Hupmobile Weathervanec. 1909Artist unidentifiedCopper with traces of gold leafArchitecturehttps://collection.folkartmuseum.org/objects/2763/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2874/fullABE. KANE1970sSam DoylePaint on plywoodPaintingshttps://collection.folkartmuseum.org/objects/3029/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2726/fullAbe Lincoln1922Michael RothloffCarved fruitwoodSculpturehttps://collection.folkartmuseum.org/objects/2416/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4885/fullAbigail Munro Bosworth1840Sheldon PeckOil on canvasSister of Increase Child Bosworth portraitPaintingshttps://collection.folkartmuseum.org/objects/5270/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4844/fullAbigail S. Burnham1831–1832Samuel A. ShuteWatercolor, gouache, pencil, and ink on paper, with applied gold foilDrawingshttps://collection.folkartmuseum.org/objects/4014/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25930/fullAbraham, Abrahamn.d.Anthony Joseph SalvatoreMixed media on canvasPaintingshttps://collection.folkartmuseum.org/objects/2188/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1633/fullAbraham Lincoln1860–1873William Matthew PriorReverse painting in oil on glassBust length portrait of Abraham Lincoln executed in the reverse painting on glass technique; Lincoln's body turned 3/4 (P) left, head towards (P) right. He is wearing a black coat with buttons and lapels, white shirt with stiff white colar and black cravat. Heavy shading along cheeks, jawline nd above upper lip; figure set against matte, light brown background. Handling of face and body very painterly with brushwork evident. Built-up scallopped wood frame with mitered corners, nail construction painted dark brown with gold liner. Masking tape around entire outside edge of frame. Backed with old board.Paintingshttps://collection.folkartmuseum.org/objects/5/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2451/fullAbraham Lincolnc. 1974Elijah PiercePaint on woodSculpturehttps://collection.folkartmuseum.org/objects/439/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3130/fullAbraham Lincoln Flag Quiltc. 1866Lucy FrostCotton with cotton appliqué and embroiderypiecedTextileshttps://collection.folkartmuseum.org/objects/3055/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2595/fullAbraham Lincoln Triptych (Young Mr. Lincoln/Emancipation Proclamation/Gettysburg Address)1978; 1979; 1987Malcah ZeldisOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/2260/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28329/fullAbsolute power – on the increase fusion. An atomic bomb explosion. This will kill youn.d.Melvin WayInk on paperDrawingshttps://collection.folkartmuseum.org/objects/7374/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27342/fullAbsorbacronApril 14–15, 2018William A. HallPencil on paperDrawingshttps://collection.folkartmuseum.org/objects/7933/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1728/fullAbstract Figures on Paper1984J. B. MurrayTempera and felt-tip pen on paperAbstract drawing divided into four sections, each with round faces on elongated, tubular bodies with no limbs. Upper half: yellow bodies separated by blue stripes; ULS: in white border with blue splotches; URS: oriental-like calligraphic markings on torsos, no border. Lower Half: LLS: yellow bodies and heads outlined ion marker and covered with blue splotches. Horizontal band above in yeellow with blue dabs. RS: Very tall figures, the green oak-tag forming the bodies with black strokes; separated by yellow with red and blue dabs. B and RS: areas of mottled paint. Back: calligraphic scrawls in red marker across upper half of back. Mounted on black mat board with white window hinged in back and taped.Drawingshttps://collection.folkartmuseum.org/objects/2169/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2464/fullAbstract with Three Faces1993Sybil GibsonTempera on newspaperPainted on newspaperPaintingshttps://collection.folkartmuseum.org/objects/2170/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25693/fullAbst - What you mean?2000Valton Tyler Oil on canvasPaintingshttps://collection.folkartmuseum.org/objects/8422/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/9249/fullAcademy of SciencesMay 20, 1977Alexander Aramburo MaldonadoOil on canvas, in original painted framePaintingshttps://collection.folkartmuseum.org/objects/5009/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28047/full[Ackie and Tippy are going to meet the girls and then go to the May Park.] from The Catville KidsJune 19, 1945Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/9263/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28030/full[Ackie is running into Thelma on his sled.] from The Catville Kids1944–1945Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/8177/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/21485/fullAcrobatic Toysc. 1989José BelandriaWood, crayon, string, and metalToys and Gameshttps://collection.folkartmuseum.org/objects/3508/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4907/fullAdam and Eve1988Ronald LockettPaint and metal on woodSculpturehttps://collection.folkartmuseum.org/objects/5021/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27258/fullAdam and Eve in the Garden of Eden QuiltMid-19th centuryUnidentified member of the Sinclair FamilyCottonrange of techniques (including appliqué, chintz appliqué, and trapunto) appliqué vignettes depicting the story of Adam and Eve in the Garden of Eden. Two figures enact the narrative in multiple stages: Eve picking the apple at the urging of the serpent; Eve sharing the apple with Adam; and the couple being expelled from paradise. grapevine frames the scene with apple trees and other flora and fauna. Textileshttps://collection.folkartmuseum.org/objects/9162/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27446/fullAdam and Eve Sleigh Blanket1829Karna LarsdotterWoolitem not measured/framed hanging on rackTextileshttps://collection.folkartmuseum.org/objects/9227/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26143/fullAdam Naming the Animalsn.d.Linda AndersonOil on linen canvasPaintingshttps://collection.folkartmuseum.org/objects/2953/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28025/full[Addgie Puss'es Valentine for the passed 3 years has been 12 yrs old Eddy Pollot] from The Catville Kidsc. 1944Mary Paulina CorbettGraphite and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/9221/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/5188/fullAdelia Wilson and Harriet Halbert Wilson1840–1850Calvin BalisOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/4673/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2409/fullAdmiral Dewey Commemorative Quilt1900–1910The Mite Society (Ladies' Aid), United Brethren ChurchCotton with cotton embroideryPieced "D" within a square blocks alternating with white square. Autographed with names embroidered with Turkey red. Applied binding hand-seamed to top, whipstitched to backing. Three borders. quilted together in triple diagonal lines; pieced blocks, parallel lines; plain blocks, floral motif with grid centers. Embroidery done after quilting.Textileshttps://collection.folkartmuseum.org/objects/2098/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/19051/fullAdvertising Checkerboardn.d.Artist unidentifiedReverse painting and foil on glasstinsel paintingToys and Gameshttps://collection.folkartmuseum.org/objects/4988/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2258/fullAfrica1920–1935Karol KozlowskiOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/810/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27940/fullAfrican Dance, Big Drumpc. 1975Canute CalisteGouache on fiberboardPaintingshttps://collection.folkartmuseum.org/objects/7503/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3289/fullAfter M Whurther Run Glandelinians attack and blow up train carrying children to refuge. (double-sided)1970Henry DargerWatercolor, pencil, carbon tracing, and collage on pieced paperDrawingshttps://collection.folkartmuseum.org/objects/4612/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1350/fullAfter the Dry Spell1975Mattie Lou O'KelleyAcrylic on canvasPaintingshttps://collection.folkartmuseum.org/objects/1313/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26950/fullAgriculture and Manufacturers Coverletc. 1830Artist unidentifiedWoolTextileshttps://collection.folkartmuseum.org/objects/1943/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1585/fullAirplane1971Eddie ArningOil pastel on wove green paperDrawing of blue wairplane in top and side perspective, body, tail, and wheels in side view, wings and propellors topside. Six mustard colored windows and cockpit, outlinedin red; door and thrusters are white. Tail is blue with broad white area top and front. Upper half of background is grey-green, bottom half is bright green. Double border four sides: purple inside and black outside. FRAME: In contemporary oak frame with mitered corners and nail construction. Mounted behind white mat, under plexiglass. Newly backed with black paper.Drawingshttps://collection.folkartmuseum.org/objects/39/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26075/fullAirplane with Propeller1947–1972Matteo RadoslovichPainted wood and metal, glassSculpturehttps://collection.folkartmuseum.org/objects/1324/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1589/fullAirplane with Standing Woman1971Eddie ArningPencil and oil pastel on orange wove paperDrawingshttps://collection.folkartmuseum.org/objects/504/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27254/fullAjiro-MonyoNovember 24, 1995Tomie NaganoCottoncurator notes "recycled antique cotton" as mediumTextileshttps://collection.folkartmuseum.org/objects/9164/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/25846/fullAlaqua Nazi Spies, from Marwencol series2008, printed 2014Mark Hogancamp Digital color printPhotographshttps://collection.folkartmuseum.org/objects/8101/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/24950/fullAlbum cover (to which were originally bound 283 pencil and colored pencil drawings)1936–1969James Edward Deeds, Jr. Handmade fabric, leather, and cardboardBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/7594/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1852/fullAlbum Quilt1843Sarah MorrellCotton and ink with cotton embroideryEdges of top and backing folded in toward one another with remnants of original red piping around three sides. Traces also of red sawtooth border. Each block quilted individually; outline quilting, diagonal lines, diamond grid, chevron, heart motifs. 12 stitches per inch.Textileshttps://collection.folkartmuseum.org/objects/692/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27725/fullAle Bowl1831Artist unidentifiedPaint on woodContainershttps://collection.folkartmuseum.org/objects/9224/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27988/full[Alice and Josie are talking to Betty, in her room.] from The Catville KidsSeptember 29, 1944Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/8156/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28074/full[Alice and Mikie are jitter bugging at "Tillies."] from The Catville Kids1945–1947Mary Paulina CorbettInk wash, ink, watercolor, and graphite on paperDrawingshttps://collection.folkartmuseum.org/objects/8211/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27994/full[Alice and Pam are meeting Mary as she gets off the bus.] from The Catville KidsOctober 3, 1944Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/8159/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27481/fullAlice in Wonderland. The Cheshire CatJanuary 28, 1961Justin McCarthyInk and pencil on paperDrawingshttps://collection.folkartmuseum.org/objects/9197/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27480/fullAlice in Wonderland. The Lobster QuadrilleFebruary 18, 1961Justin McCarthyInk, pencil, paint on paperDrawingshttps://collection.folkartmuseum.org/objects/9196/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28009/full[Alice is in Betty's bed room Talking with her.] from The Catville KidsOctober 21, 1944Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/9213/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/28014/full[Alice Manner] from The Catville Kidsc. 1944Mary Paulina CorbettColored pencil, graphite, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/8169/rdf