https://collection.folkartmuseum.org/internal/media/dispatcher/4844/fullAbigail S. Burnham1831–1832Samuel A. ShuteWatercolor, gouache, pencil, and ink on paper, with applied gold foilDrawingshttps://collection.folkartmuseum.org/objects/4014/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4735/fullBaseball Player Show Figure1888–1903Samuel Anderson RobbPaint on woodSculpturehttps://collection.folkartmuseum.org/objects/2598/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3229/fullBookplate for Elizabeth Henrichc. 1815Samuel C. MusselmanWatercolor and ink on paperMennonite hymnal published by Michael Billmeyer; hand-decorated bookplate; German inscription; abstract red, yellow, green and brown floral motifs frame large tablet with name of Elizabeth Henrich and inscription and half a vase with stylized tulips and flowers; decorative borders.Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3010/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4132/fullBun Basket1815–1835Stevens TinshopPaint on tinplateContainershttps://collection.folkartmuseum.org/objects/4232/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1680/fullCleveland-Hendricks Crazy Quilt1885–1890Artist unidentifiedLithographed silk ribbons, silk, and wool with cotton fringe and silk and metallic embroidery(including construction) Contained crazy quilt constructed of twelve bordering blocks ca. 18 1/2" sq. around large central block (36 1/2" x 37") composed of gold lithographed silk with red rooster surrounded by lithographed medallion in each corner and middle of each side. The campaign silks feature the unsuccessful Democratic presidential candidates Tilden and Hancock, nominees of 1876 and 1800, respectively, and Grover Cleveland and Thomas Hendricks, the successful candidates. Also included are other 1884 campaign textiles, some signed "A." Zeese & Co., an 1884 barbecue ribbon from Ithaca, NY and a ribbon from Cleveland's inauguration on March 4, 1885. A political cartoon features a frowning Republican and smiling Democrat. There is a triangle of silk in each outer corner with a striped fan with velvet border, the embroidery different in each corner.. The quilt is composed of a variety of rich fabrics with silk and metallic thread embroidery. Motifs include: stars, boots, creascent moons, flowers, artist's palette, Japanese fans, ewer, butterflies, machine appliques, and a hand pointing to the cartoon. The quilt is backed with a rich burgundy challis and tied with pale blue silk bows in a 20" repeat with half-drop. Fringed three sides with commerical 2" deep metallic cotton. Applied fringe three sides, edges turned in. Ribbons stitched to backing. Embroidery around patches and pieced blocks.Textileshttps://collection.folkartmuseum.org/objects/928/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2073/fullCrazy Trousseau Robe1882–1900Emma Rebecca Cummins Blacklock Snively Crosier PaulingSilks and lace with silk cording and metallic and silk embroideryFoundation pieced. Embroidery stitches: french knots, feather, outline.Costumehttps://collection.folkartmuseum.org/objects/317/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4736/fullDapper Danc. 1880Artist unidentifiedPaint on wood with metalMale standing figure holding striped pole (red and white) with party finial in (P) left hand. wearing removable top hat inscribed DAN, red waistcoat black frickcoat, red and white striped pants. Metal eye for hook behind (P) right shoulder. Barber pole attached to base with eroded metal plate. Sporting a clean shave and handlebar mustache.Architecturehttps://collection.folkartmuseum.org/objects/3915/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26089/fullDr. Luther Paris WetherbyMid-19th centuryRuth W. ShuteOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/2341/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1267/fullEliza Gordon (Mrs. Zophar Willard Brooks)c. 1833Samuel A. ShuteWatercolor and gouache on paper with applied gold paperFrontal three-Quarter length potrait of a young woman with pale blue eyes and pink lips seated in yellow chair with painted decoration across rail, right arm crossing before waist top of head with two tortoiseshell combs. Wearing black dress: full sleeves with lace trim, lace yoke with high collar and lace around her nack and gold band on third finger of (P) R Hand. Details of face pencilled in with heavy shading around areas of eyes, sides of nose, above lips and chin. Blue paint outlining figure to edges. Frame: wood frame molding with gilded outside and inside edges, middle area painted black. Mitered corners, nail construction, backed with foam core; old board (in two pieces)nailed to frame four sides.Drawingshttps://collection.folkartmuseum.org/objects/12/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/21417/fullA Fictitious Letter by David Augur to Samuel I. Seculator from James H. InformantApril 9, 1855David AugurInk on paperBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/6761/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3353/fullFigurehead Modelc. 1810Artist unidentifiedWood with traces of paintAllegorical figure of a woman in empire-waisted, flowing dress with flying drapery. Holding cornucopia with fruit and flowers upside down from proper right hand and left hand. Proper left hand is raised, string of jewels around neck. Long hair flowing behind to wood post.Sculpturehttps://collection.folkartmuseum.org/objects/3368/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3041/fullFrederick Buxtonc. 1831Samuel A. ShuteWatercolor, gouache, pencil, ink on paper with applied gold foilThree-quarter portrait of young boy standing center with (P) left arm crooked at elbow crossing below waist, right arm extended down petting head of small dog. Wearing blue skeleton suit with raised white pleated collar, gold buttons on side seams, in center, on waistband, and on sides of legs. Long narrow sleeves capped on shoulders. Straight light brown hair, no part. Face in pencil, cleft in chin, blue eyes. Holding small yellow book with inscription [p] left hand. Small dog with front paws on boy's [p] right leg, dog standing. Diagonally radiating wash background.Drawingshttps://collection.folkartmuseum.org/objects/3346/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3309/fullGentleman Wearing a Striped Waistcoat1828–1830Samuel A. ShuteWatercolor, gouache, pencil, and ink on paperBust-length portrait of man wearing shawl collared jacket over striped and figured vest, white stock with upturned collar. [p] left hand tucked into coat, strong features with pink cheeks, hair brushed toward face. Wash in background. Framed with 2005.8.63Work on Paperhttps://collection.folkartmuseum.org/objects/3398/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26136/fullHattie Louise WetherbyMid-19th centuryRuth W. ShuteOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/2320/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1258/fullHeart-and-Hand Love Token1840–1860Artist unidentifiedInk and varnish on cut paperDrawingshttps://collection.folkartmuseum.org/objects/1567/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3211/fullHudsonian Curlew Weathervanec. 1874Artist unidentifiedGold leaf on sheet metal with iron strapsSculpture and Three Dimensional ObjectsArchitecturehttps://collection.folkartmuseum.org/objects/842/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/5070/fullIndependent Order of Odd Fellows Arrows for First Degree1860–1900Artist unidentifiedPaint and gold leaf on woodSculpturehttps://collection.folkartmuseum.org/objects/5122/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/5069/fullIndependent Order of Odd Fellows Bow for First Degree1860–1900Artist unidentifiedPaint and gold leaf on woodSculpturehttps://collection.folkartmuseum.org/objects/5121/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4581/fullJoseph Gilman Parker1832Samuel A. ShuteWatercolor, metallic paint, pencil, ink on paperPaintingshttps://collection.folkartmuseum.org/objects/2988/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4843/fullJosiah C. Burnham1831–1832Samuel A. ShuteWatercolor, gouache, pencil, and ink on paper with applied gold foilDrawingshttps://collection.folkartmuseum.org/objects/4015/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1782/fullLap desk1825Artist unidentifiedPaint on woodFurniture/Furnishingshttps://collection.folkartmuseum.org/objects/387/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3322/fullLion1850–1860John BellGlazed red earthenwareLion standing on 4 legs, tail curled onto spine. Wide mouth with delineated teeth, mustache and mane in spaghetti-like strips with brown glaze. Incised paws and cross incised at the back of the two front legs.Containershttps://collection.folkartmuseum.org/objects/3357/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2109/fullLog Cabin Quilt, Courthouse Steps Variation1890–1910Samuel SteinbergerSilk, satin, velvetFoundation pieced, silk, Additional material information: including satin and velvetTextileshttps://collection.folkartmuseum.org/objects/451/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4779/fullMan Holding Quill1835–1838Erastus Salisbury FieldOil on canvas, in original frameportraitPaintingshttps://collection.folkartmuseum.org/objects/2619/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3024/fullMaria Rex Zimmermanc. 1828Jacob MaentelWatercolor, gouache, ink, pencil on paperDrawingshttps://collection.folkartmuseum.org/objects/4042/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4985/fullMasonic Clock Face1820–1835Riley WhitingPaint and gold leaf on woodFurniture/Furnishingshttps://collection.folkartmuseum.org/objects/5065/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4987/fullMasonic Clock Face1820–1840Silas HoadleyPaint on woodFurniture/Furnishingshttps://collection.folkartmuseum.org/objects/5066/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3411/fullMaster Burnham1831–1832Samuel A. ShuteWatercolor, gouache, pencil, and ink on paperDrawingshttps://collection.folkartmuseum.org/objects/4016/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/27944/fullMiniature Portrait of George Addison Throop1833Artist unidentifiedWatercolor on natural substrateMiniatureshttps://collection.folkartmuseum.org/objects/8056/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1270/fullMourning Locket1793–1813Samuel FolwellWatercolor on ivory, gold bezel, human hairFull-length figure of woman with brown hair swept into Grecian curls and tendrils at nape of neck wearing Empire gown with ribbon at high waist. (P) right arm raised to signal sailing vessel in distance. (P) left arm rests atop tall anchor, symbolizing Hope. Figure stands beneath rocky precipice in sepia tones and on banks of body of water. reverse with lock of brown hair and depiction fo small child with lamb and verse.Jewelryhttps://collection.folkartmuseum.org/objects/96/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1272/fullMourning Locket1793–1813Samuel FolwellWatercolor on ivory, gold bezel, human hairStanding full-length figure of woman in long high-waisted Empire gown. Right arm raised to bosom, left arm hanging at side. Standing before classical urn on tomb with inscription. In sepia-toned landscape with weeping willow tree to (P) right side of figure,Jewelryhttps://collection.folkartmuseum.org/objects/101/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4845/fullMourning Piece for Sarah Elizabeth Burnham1831–1832Samuel A. ShuteWatercolor, gouache, pencil and ink on paper, with applied gold foilDrawingshttps://collection.folkartmuseum.org/objects/4011/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3311/fullMrs. Keyserc. 1834Artist unidentifiedWatercolor, gouache, ink, and pencil on paper, in original frame covered with embossed paper with traces of giltPortrait of woman seated on Empire couch, holding orange tabby cat and landscape view. Wearing frothy white lace bonnet with pink ribbon either side and tied under chin, matching sheer lace collar over black leg o' mutton dress with black cuffs and black wide belt with gold-tone buckle; hair parted in center with rolled curls LS & RS, 1 long black and gold drop earring visible. Seated in rosewood empire couch with scrolled arm, curtain and column LS, column RS, overlooking grassy bank with water and viaduct, sailing vessel behind, plantation landscape behind that.Drawingshttps://collection.folkartmuseum.org/objects/3367/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3112/fullMuse from W.C. Coup's Salpingasian Chariot of Mnemosyne Organ Wagon; Clio1879–1882Samuel Anderson RobbCarved woodFigure in pensive position. Base is damaged with decorative side motifs missingSculpturehttps://collection.folkartmuseum.org/objects/4034/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3112/fullMuse from W.C. Coup's Salpingasian Chariot of Mnemosyne Organ Wagon; Clio1879–1882Samuel Anderson RobbCarved woodSculpturehttps://collection.folkartmuseum.org/objects/4035/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3112/fullMuse from W.C. Coup's Salpingasian Chariot of Mnemosyne Organ Wagon; Terpsichore1879–1882Samuel Anderson RobbCarved woodSculpturehttps://collection.folkartmuseum.org/objects/4033/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1781/fullPainted Box1835Artist unidentifiedPaint on woodSmall rectangular wooden box painted yellow and decorated in green and red. Constructed to resemble a book - T,B and spine project slightly from other members, and are painted with geometric designs. The members that correspond to the pages of the book are painted yellow. T and B have same design - 3 horizontal rows of 5 shapes: T and B rows have a central red tear shape topped by a green crescent, with 2 green hearts on either side. The middle row has a red diamond in the center with 2 red circles on either side. Yellow is the background color, a thin dark green line at the edges. The "spine" has a center yellow circle with a red triangle attached above and below, the apex of each abuts the base of a green heart, set within red semi-circular shapes - a thin dark green line around the edges. The lid of the box is cut out of the T and is hinged from within by nails. Pencil lines are visible indicating a compass was used to form many of the shapes. The box appears to have been made from a single piece of soft wood.Containershttps://collection.folkartmuseum.org/objects/370/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3025/fullPeter Zimmermanc. 1828Jacob MaentelWatercolor, gouache, ink, pencil on paperDrawingshttps://collection.folkartmuseum.org/objects/4041/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1292/fullPortrait of a Woman, possibly Caroline Danforth Webster1832Ruth W. ShuteOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/1383/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/20284/fullPortrait of a Woman (possibly Margaret Aflack)1835Ruth W. ShuteWatercolor and pencil on paperDrawingshttps://collection.folkartmuseum.org/objects/648/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3312/fullPortrait of a Young Man (Probably William Lauriston Cook)1838–1839Erastus Salisbury FieldOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/3373/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26988/fullPortrait of Hannah Davis, aged 821848Samuel PackardOil on canvasPaintingshttps://collection.folkartmuseum.org/objects/6946/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4582/fullPortrait of Mary Todd Parker1832Samuel A. ShuteWatercolor, gouache, metallic paint, metallic paper, pencil, ink on paperPaintingshttps://collection.folkartmuseum.org/objects/2991/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/24512/fullPreening Merganser Hen1900Samuel Smith ToothakerPaint on woodMerganser Hen decoy in Preening PositionTools and Equipmenthttps://collection.folkartmuseum.org/objects/2925/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2821/fullReiter Family Album Quilt1848–1850Liebe Gross FriedmanCotton and woolsignature appliqued quiltTextileshttps://collection.folkartmuseum.org/objects/2670/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3920/fullReligious Text with Two Women in Striped Dressesc. 1834Samuel GottschallInk, watercolor, and gouache on paperExecuted in brilliantly-colored yellow, red, blue, and black watercolor on paper with paired birds and stylized angels in the upper register and figures of two stylized ladies in the lower register each wearing a striped dress and blue hat, at center a heart inscribed with a religious text rendered in alternating lines of red and black ornamental German calligraphy. frakturBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3999/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4511/fullSpray of Flowers for Mr. Samuel HandJune 10, 1878B.H. GreenwoodReverse painting and foil on glasstinsel paintingPaintingshttps://collection.folkartmuseum.org/objects/4361/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4773/fullTeapot1815–1835Stevens TinshopPaint on tinplateContainershttps://collection.folkartmuseum.org/objects/4481/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4770/fullTrunk1815–1835Stevens TinshopPaint and tinned sheet ironContainershttps://collection.folkartmuseum.org/objects/4635/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4718/fullTunebook1821Daniel SteeleWatercolor and ink on paperApproximately 40 decorated pages, colors vibrant.Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/4575/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3391/fullUncle Sam Riding a Bicycle Whirligig1880–1920Artist unidentifiedPaint on wood with metalArchitecturehttps://collection.folkartmuseum.org/objects/1975/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3330/fullVorschrift for Samuel Hoch1799Oley Mermaid ArtistWatercolor and ink on paperBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3342/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4780/fullWoman Holding Red Book1835–1838Erastus Salisbury FieldOil on canvas, in original framePaintingshttps://collection.folkartmuseum.org/objects/2620/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3359/fullWoman Wearing a Bonnet with Pink Ribbons1828–1830Samuel A. ShuteWatercolor, gouache, pencil, ink on paperPortrait of man facing proper left wearing shawl collared jacket over striped and figured vest, white stock with upturned collar. [p] left hand tucked into coat, strong features with pink cheeks, hair brushed toward face. Wash in background. Framed with 2005.8.7Drawingshttps://collection.folkartmuseum.org/objects/3386/rdf