https://collection.folkartmuseum.org/internal/media/dispatcher/1262/fullBird TreeLate 19th centuryArtist unidentifiedPaint on wood with wireSculpturehttps://collection.folkartmuseum.org/objects/1547/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1263/fullBird TreeLate 19th centuryArtist unidentifiedPaint on wood with wireSculpturehttps://collection.folkartmuseum.org/objects/1574/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3039/fullBirth Record for Hana Oberholtzer1816David CordierWatercolor and ink on paperA heart with two large parrots enclosing faces of a lady, gentleman, and angels. Black and brown sepia ink. Vertical fold bisects.Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3399/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1244/fullChest of Drawers1830Johannes MayerPaint on pine and poplarFurniture/Furnishingshttps://collection.folkartmuseum.org/objects/1551/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4785/fullDrawing for Salome Wagnerc. 1810Artist unidentifiedWatercolor and ink on paperComposition divided into two parts contained within three columns with two arches LS with urn of flowers on two-stepped base, RS with two-story house, red roof, and six-bed garden surrounded by wood picket fence, two flowering fruit trees. Between arches, sacred heart springing running leafy vine and floral motif that spreads over tops of arches. Whole bordered four sides in red border with green edges. Inscribed in arches in Gothic letters with red and green paint, elaborate initial caps and pen and ink flourishes: LS: "Salome" and RS: "Wagnerin" Drawingshttps://collection.folkartmuseum.org/objects/4049/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4251/fullEphrata Cloister Tunebookc. 1745Artists unidentifiedWatercolor and ink on paper, with cloth and leather binding290 pages with illustrations in colored inks. decorated titles, several full-page drawings, register in backBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3388/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4253/fullEphrata Cloister Tunebookc. 1745Artists unidentifiedWatercolor and ink on paper, with cloth and leather bindingHymnal with illustration iron gall ink. With handwritten genealogy inside on loose-leaf paper, pen and ink design, mostly blue and brown ink. 300 handwritten pages, each with musical staff, roughly ten illuminations in the form of flowers, birds, crowns, and the figure of an Ephrata sister Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3392/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/1288/fullFraktur; Simon H. Mayberry-Mary H. Family Recordc. 1850The Heart & Hand ArtistWatercolor and ink on wove paperDrawingshttps://collection.folkartmuseum.org/objects/1595/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3325/fullFraktur with Inverted Heart1803Jacob StricklerWatercolor and ink on paperDecorated with stylized blossoms, one emanating from an urn-shaped checkerboard vessel, the other from an inverted heart, the whole field filled with other stylized flowers, vines, and leafage, the borders with sawtooth and net-like decorated borders, in blue, gold, red, and green ink on laid paper. Unfinished fraktur or sample fraktur. Muted tones. Empty box LRC.Drawingshttps://collection.folkartmuseum.org/objects/3405/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3575/fullGenneral Waschingtonc. 1810Artist unidentifiedWatercolor, gouache, ink, and metallic paint on paperFraktur of General Washington on horseback with plumed hat in foreground. Low fence acts as demarcation between fore- and background. Very flat composition. Large tree at left and buildings in background with smoke emanating from the chimneys. Building directly behind Washington bears the words "CON GRESS HOUSE".Drawingshttps://collection.folkartmuseum.org/objects/3950/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3675/fullGift Drawing1819Johann Adam EyerWatercolor and ink on paperfrakturDrawingshttps://collection.folkartmuseum.org/objects/2678/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2996/fullLiebesbriefc. 1790Christian StrengeWatercolor and ink on cut paperOpen cutwork Valentine with 4 concentric motifs: central flower with scallopped ring around; urns of flowers alternating with drawings of tulips, leaves, and flowers; hearts with blue borders and German inscriptions in red; hearts with blue borders and German inscriptions in red interspersed with open cut work of tulips and branches.Drawingshttps://collection.folkartmuseum.org/objects/3379/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3047/fullMan Feeding a Bear an Ear of Cornc. 1840Artist unidentifiedWatercolor, ink, and pencil on paperDrawingshttps://collection.folkartmuseum.org/objects/3946/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4684/full"Maria Kriebel" Document Box1842Artist unidentifiedWatercolor and ink on wood, with replaced haspContainershttps://collection.folkartmuseum.org/objects/4475/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3335/fullMetamorphosisc. 1810Durs Rudy Sr.Watercolor and ink on paperBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3370/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3332/fullPresentation Fraktur of a Double Eaglec. 1815David KulpWatercolor and ink on paperDrawing, pen and ink of double-headed hapsburg eagle, with feathered pattern overall with red and yellow ink. Spread tail wings and splayed legs. Floral elements, top L and R with tulips and leaves. Border 4 sides in red, yellow, black.Drawingshttps://collection.folkartmuseum.org/objects/3361/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3334/fullReligious Text with Spiritual Chimes for Elisabeth Geissinger1803Artist unidentifiedWatercolor and ink on paperThe central motif is a blue tall case clock with a bird drawn above the dial and a hex star and fans gracing the base. Twelve hearts flank the clock case each containing a prayer for an hour of the day. The top hearts have small heads erupting from between the lobes, each most likely representing one of the four apostles. At the bottom under the clock the fraktur is initialed EMM. These are most likely the maker's initials. To the right of the clock is an inscription commemorating the birth of Elizabeth Geissinger who was born March 22, 1754. At the top, the drawing is titled "Spiritual Chimes" and dated 1803, most likely the execution date (Wheatcroft) bird LS of clock. In red, green, blue, ochre, brown, and black.Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3397/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3329/fullReligious Text with Two Blue Doves for Barbara Landes1792Johann Adam EyerWatercolor and ink on paperOrnamented at top with two large entwined stylized doves, each with smaller bird hovering over wings; underneath two trumpeting angels float above two flowering tulip plants that flank the verse. In red, yellow, blue, and green.Books/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3396/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3920/fullReligious Text with Two Women in Striped Dressesc. 1834Samuel GottschallInk, watercolor, and gouache on paperExecuted in brilliantly-colored yellow, red, blue, and black watercolor on paper with paired birds and stylized angels in the upper register and figures of two stylized ladies in the lower register each wearing a striped dress and blue hat, at center a heart inscribed with a religious text rendered in alternating lines of red and black ornamental German calligraphy. frakturBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3999/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/26842/fullReligious Verse1793Johann Conrad GilbertWatercolor and ink on paperfrakturDrawingshttps://collection.folkartmuseum.org/objects/2677/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/4764/fullTall Case Clock1801Johannes SpitlerPaint on yellow pine, with brass and steel works, modern watercolor and ink on period-paper face, and original sheet-iron dialGeometric patterns on sides. Stylized flowers on top and sides. Crescent moon on top of sides.Furniture/Furnishingshttps://collection.folkartmuseum.org/objects/3345/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3398/fullTaufschein1807The Flying Angel ArtistWatercolor and ink on paperfrakturDrawingshttps://collection.folkartmuseum.org/objects/2679/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3555/fullTaufschein for Johannes Dotterec. 1831Northhampton County (or Bird-in-the-Hand) ArtistWatercolor and ink on paperFrom Northampton County. Portrays a seated man holding a bird and facing a woman slightly smaller seated in a similar chair. A flower vine grows next to man. Two pinwheel motifs above the figures serve to underline motto. A yellow border with black dashes frames the piece and a green line separates the figures from the script below. frakturBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3952/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/2366/fullTwo-headed Eagle with Corner Motifs1860–1880Artist unidentifiedReverse painting and foil on glassFigure of a double sided bird with a fan like tail, a wing outstretched on each side and two heads pointing in opposite directions. Birds are silver with a turquoise feather dividing the bodies. A deep blue feather with hints of beige around edges. Blue and purple floral flourishes around the bird. Blue, turquoise, purple and silver ornamental flourishes in each corner. Black background with a gilt gessoed frame.Paintingshttps://collection.folkartmuseum.org/objects/1156/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/3330/fullVorschrift for Samuel Hoch1799Oley Mermaid ArtistWatercolor and ink on paperBooks/Manuscripts/Information Artifactshttps://collection.folkartmuseum.org/objects/3342/rdfhttps://collection.folkartmuseum.org/internal/media/dispatcher/740/fullWreath of Flowers with Birds and Daguerreotype of Child1855–1865Artist unidentifiedReverse painting and foil on glass with daguerreotype in stamped brass matHand-colored photograph in stamped-brass mat mounted behind glass. Surrounded by tinsel-painted border of trailing leaves and flowers on white background; golden bird all four corners, facing left. Wood backing.Paintingshttps://collection.folkartmuseum.org/objects/102/rdf