<?xml version="1.0" encoding="UTF-8"?>
<person xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Id" name="id"><value>151112</value></field><field label="Source ID" name="sourceId"><value>918</value></field><field label="Name" name="displayName"><value>Philadelphia Wireman</value></field><field label="Birth Date" name="beginDate"><value>0</value></field><field label="Death Date" name="endDate"><value>0</value></field><field label="Bibliography" name="bibliography"/><field label="Biography" name="biography"><value>Here is an attempt to describe one of the objects from AFAM’s Collection attributed to the “Philadelphia Wireman”: A yellow hinged ruler with both ends broken off is suspended in a nest of rusted wire that has been wrapped and twisted to form loops and spirals. The wire also holds a single black arm from a pair of eyeglasses, one of its tiny screws still intact. Another length of wire, less rusted, winds through one of the holes in a lilac button, securing it next to the ruler. The overall shape is dynamic, angular. Part of the ruler is nearly perpendicular to the arm from the glasses, and lines of wire trace around the cluster of objects like lines drawn in the air. 

A shared language of materials and process is recognizable across the approximately one thousand such objects that were found, in the late 1970s, in trash bags in a south Philadelphia neighborhood. Custom-built stands now accompany some of these, for exhibition purposes, but the way that the maker known as the Philadelphia Wireman interacted with, stored, or used these objects remains entirely unknown. 

Brooke Wyatt, 2024


Text written as part of “Rethinking Biography,” an initiative supported by the Institute of Museum and Library Services (IMLS).
</value></field><field label="Exhibitions" name="exhibitions"/><field label="Objects" name="objects"><value objectTitle="Untitled" objectNumber="2023.3.2" objectID="8589"/><value objectTitle="Untitled" objectNumber="2023.3.1" objectID="8588"/><value objectTitle="Untitled" objectNumber="2023.3.4" objectID="8591"/><value objectTitle="Untitled" objectNumber="2023.3.3" objectID="8590"/><value objectTitle="Untitled" objectNumber="2023.3.6" objectID="8593"/><value objectTitle="Untitled" objectNumber="2023.3.5" objectID="8592"/><value objectTitle="Untitled" objectNumber="2001.29.3" objectID="3012"/><value objectTitle="Untitled" objectNumber="2023.3.8" objectID="8595"/><value objectTitle="Untitled" objectNumber="2001.29.2" objectID="3011"/><value objectTitle="Untitled" objectNumber="2023.3.7" objectID="8594"/><value objectTitle="Untitled" objectNumber="2001.29.5" objectID="3014"/><value objectTitle="Untitled" objectNumber="2023.3.10" objectID="8597"/><value objectTitle="Untitled" objectNumber="2001.29.4" objectID="3013"/><value objectTitle="Untitled" objectNumber="2023.3.9" objectID="8596"/><value objectTitle="Untitled" objectNumber="2001.29.7" objectID="3019"/><value objectTitle="Untitled" objectNumber="2023.3.12" objectID="8599"/><value objectTitle="Untitled" objectNumber="2001.29.6" objectID="3018"/><value objectTitle="Untitled" objectNumber="2023.3.11" objectID="8598"/><value objectTitle="Untitled" objectNumber="2023.3.14" objectID="8601"/><value objectTitle="Untitled" objectNumber="2001.29.1" objectID="2990"/><value objectTitle="Untitled" objectNumber="2023.3.13" objectID="8600"/><value objectTitle="Untitled" objectNumber="2023.3.15" objectID="8602"/></field><field label="Person Type" name="personType"/><field name="primaryMedia"><value>https://collection.folkartmuseum.org/internal/media/dispatcher/3221/full</value></field><field label="Text Entries" name="textEntries"><value>The maker, origins, and purpose of these small-scale sculptures are unknown. The objects were found—along with approximately fifteen hundred more just like them—packed in garbage bags in an alley in an African American Philadelphia neighborhood in 1982. Most of the works are the size of a fist or a piece of fruit; they all contain a degree of mystery and embody intrigue. The artist, nicknamed the Philadelphia Wireman, relied on discarded materials such as tape, newspaper, ribbon, glass, buttons, scrap metal, and other flotsam and jetsam to build up an interior armature that is tightly bundled with wire and cable. Scholars have suggested that the materials, technique, and intimate scale of these works recall charms, talismans, and other spiritual tools</value></field><field label="Alternative Numbers" name="altNums"/><field label="Archives" name="archives"/><field label="Date" name="displayDate"><value>(active 20th century)</value></field><field label="Events" name="events"/><field label="Active" name="geographyActive"><value>Philadelphia</value></field><field label="Born" name="geographyBorn"><value>Philadelphia</value></field><field label="Died" name="geographyDied"><value>Philadelphia</value></field><field label="Names" name="names"><value>Philadelphia Wireman</value></field><field label="Terms" name="thesconcepts"/></person>