James Edward Deeds, Jr.
(1908–1987)
BornCanal Zone, Panama
ActiveNevada, Missouri, United States
DiedOzark, Missouri, United States
BiographyFrom the discovery of an album of 283 delicately sketched crayon and pencil drawings in the trash in Springfield, Missouri, in 1970, the story of the artist behind the work unraveled slowly. The first time the detailed images, including formal portraits of wide-eyed figures in early-1900s clothing, steamboats, and animals in pastoral settings, were published in 2011, they were anonymously attributed to “the Electric Pencil.” This moniker was borrowed from an illustration, titled “ECTLECTRC PENCIL,” of a woman gesturing at a bouquet. The misspelling was initially considered an error, but later theorized to reference the abbreviation for electroconvulsive therapy, because on most of the ledger paper pages was a clue, printed in bold capital letters: State Hospital No. 3. Despite the gentle tone of the drawings, in which wild animals appear friendly and there is nostalgia for a bygone American era, this suggested that they were all made within a mental institution.
Soon after the drawings were initially published, James Edward Deeds Jr. was identified as the artist. Details of his biography have emerged; why he created this clearly lovingly made work with its hand-stitched and well-worn covers will probably never be known. He was born in 1908 in Panama, although his family moved to Missouri when he was young. He had trouble fitting in on their farm in the southwestern part of the state, as he had little interest in the labor. He was eventually sent away to the State School for the Feeble Minded; subsequently deemed “insane,” he was committed to State Hospital No. 3 in Nevada, Missouri, in 1936. He remained there until 1973, when he was transferred to a nursing home, where he died in 1987.
The American Folk Art Museum is currently the largest repository of his work. Having been discarded so many years ago, the surviving album allows a glimpse into the imagination of a person who may have lived most of his years in confinement, but who escaped into idyllic inner worlds that took him far beyond.
Allison C. Meier, 2025
Text written as part of “Rethinking Biography,” an initiative supported by the Institute of Museum and Library Services (IMLS).