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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled</value></field><field label="Date" name="displayDate"><value>1965–1982</value></field><field label="Dimensions" name="dimensions"><value>28 1/4 x 14 7/8 " (71.8 x 37.8 cm)</value></field><field label="Medium" name="medium"><value>Paint on metal, plastic</value></field><field label="Credit Line" name="creditline"><value>Gift of Elizabeth Ross Johnson</value></field><field label="Accession number" name="invno"><value>1985.35.11</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>(including construction) Highly abstract, irregularly shaped female figure cut from single piece of metal with yellow face, flowing strips of hair painted black and red with red satin bow. (T) and pink plastic shape (B), outstretched arm and straight legs with knobby knees and high-heeled shoes. Figure with white, yellow, red and black stripes; forehead with cut-out knobby protrusion painted red and covered with green satin bow. Eye, each side, of red plastic disc attached with copper wire. Outstreatched arm painted white and red, yellow hand with four slits at ent to form fingers. Back similarly painted. Colors mixed together as though applied while still wet.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152889</value></field><field label="Source ID" name="sourceId"><value>976</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, February 15, 2005 - Sunday, September 4, 2005" exhibitionEndISODate="2005-09-04" exhibitionEndDate="2005" exhibitionISOBeginDate="2005-02-15" exhibitionBeginDate="2005" exhibitionTitle="Ancestry and Innovation (Travel)" exhibitionID="200"/><value exhibitionDisplayDate="Friday, May 16, 1986 - Friday, September 12, 1986" exhibitionEndISODate="1986-09-14" exhibitionEndDate="1986" exhibitionISOBeginDate="1986-05-27" exhibitionBeginDate="1986" exhibitionTitle="Muffled Voices" exhibitionID="293"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="288">David Butler</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review. </value></field><field label="Markings" name="markings"><value></value></field><field label="Signed" name="signed"><value>center: 'D B'</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"><value>Lady Monster Walking</value></field><field label="Title (popular)" name="titlesPopular"><value>Lady Monster Walking</value></field><field label="Title (translated)" name="titlesTranslation"><value>Lady Monster Walking</value></field><field label="Place/Region" name="geographyPlaceregion"><value>Patterson</value></field><field name="geographyCity"><value>Patterson</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Louisiana</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Patterson</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>reviewed for the IMLS Neurodiversity Project by Art Bridges Fellow Austin Losada 2026. </value><value>Animals</value><value>Correspondence between Stacy Hollander and Richard Gasperi on June 21, 1988 established that Gasperi possibly purchased the work from the artist in 1982. Later correspondence between Fran Lieu and Richard Gasperi in 1989 establishes that Gasperi possibly purchased the work in 1975. Purchase records provided by the Teal Group indicate that the work was purchased from Gasperi in 1982. While these dates reflect purchase dates and not creation date, they establish that the work was made prior to 1982. An exact date cannot be ascertained from the material or formal quality of the work. Best-knowledge date for his earliest works coincide with the purchase of the house he decorated with his works in 1965.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"><value>Lady Monster Walking</value></field><field label="Title (artist's/given)" name="titlesArtists"><value>Lady Monster Walking</value></field><field label="Title (former)" name="titlesFormer"><value>Lady Monster Walking</value></field><field label="Title (inscribed)" name="titlesInscribed"><value>Lady Monster Walking</value></field><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1719/full" mediaId="1719"/></field><field label="Begin Date" name="beginDate"><value>1965</value></field><field label="End Date" name="endDate"><value>1982</value></field><field label="Sort Number" name="sortNumber"><value>  1985    35   11                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>reviewed for the IMLS Neurodiversity Project by Art Bridges Fellow Austin Losada 2026. </value><value>Animals</value><value>Correspondence between Stacy Hollander and Richard Gasperi on June 21, 1988 established that Gasperi possibly purchased the work from the artist in 1982. Later correspondence between Fran Lieu and Richard Gasperi in 1989 establishes that Gasperi possibly purchased the work in 1975. Purchase records provided by the Teal Group indicate that the work was purchased from Gasperi in 1982. While these dates reflect purchase dates and not creation date, they establish that the work was made prior to 1982. An exact date cannot be ascertained from the material or formal quality of the work. Best-knowledge date for his earliest works coincide with the purchase of the house he decorated with his works in 1965.</value></field></object>