<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>REV. 1</value></field><field label="Date" name="displayDate"><value>1987</value></field><field label="Dimensions" name="dimensions"><value>23 3/4 x 11 1/4 x 3/4 " (60.3 x 28.6 x 1.9 cm)</value></field><field label="Medium" name="medium"><value>Paint on wood</value></field><field label="Credit Line" name="creditline"><value>Gift of Gordon W. Bailey in honor of Marcia Weber</value></field><field label="Accession number" name="invno"><value>2025.15.4</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>167119</value></field><field label="Source ID" name="sourceId"><value>9339</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="704">Leroy Almon Sr.</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Inscribed" name="inscribed"><value>incised lower center: 'REV. 1'</value></field><field label="Signed" name="signed"><value>incised lower right: 'LA'
verso center: 'Leroy Almon / LA / 1987' [faded]</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26923</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster9234</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Tallapoosa</value></field><field name="geographyCity"><value>Tallapoosa</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Georgia</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value><value>Paintings</value><value>Recent Acquisitions</value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Tallapoosa</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>This arresting carved relief of a celestial scene titled Rev. 1 is typical of Leroy Almon’s compositions, in which figures are simple yet expressive, the foreground and background are distinctively delineated, the volume, shape and colors are skillfully distributed, and the overall design is bold and graphic. Almon’s artistic practice, developed over fifteen years, recalls the aesthetic and themes of his mentor, Elijah Pierce.
In 1987, Almon commented: “One of the things that I’m hoping will happen to my work is that it will go beyond the visible eye. In other words: How does a human being put the inner person into a wood carving? I don’t know, but that’s what I’m meditating on now. And I hope to go one step beyond the three-dimensional and step into the inner person.”
This search seems to find its way in Rev. 1, alluding to the Book of Revelation, also known as the Book of the Apocalypse or the Apocalypse of John, which is canonically the last book of the New Testament. It outlines the Revelation of Jesus Christ communicated to John through prophetic visions. John is instructed by the “one like a son of man” to write all that he hears and sees, from the prophetic visions, to Seven Churches of Asia. The appearance of the “one like a son of man” is given, and he reveals what the seven stars and seven lampstands represent.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26923</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster9234</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26923</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster9234</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26923</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster9234</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/29945/full" mediaId="29945"/></field><field label="Begin Date" name="beginDate"><value>1987</value></field><field label="End Date" name="endDate"><value>1987</value></field><field label="Sort Number" name="sortNumber"><value>  2025    15    4                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>This arresting carved relief of a celestial scene titled Rev. 1 is typical of Leroy Almon’s compositions, in which figures are simple yet expressive, the foreground and background are distinctively delineated, the volume, shape and colors are skillfully distributed, and the overall design is bold and graphic. Almon’s artistic practice, developed over fifteen years, recalls the aesthetic and themes of his mentor, Elijah Pierce.
In 1987, Almon commented: “One of the things that I’m hoping will happen to my work is that it will go beyond the visible eye. In other words: How does a human being put the inner person into a wood carving? I don’t know, but that’s what I’m meditating on now. And I hope to go one step beyond the three-dimensional and step into the inner person.”
This search seems to find its way in Rev. 1, alluding to the Book of Revelation, also known as the Book of the Apocalypse or the Apocalypse of John, which is canonically the last book of the New Testament. It outlines the Revelation of Jesus Christ communicated to John through prophetic visions. John is instructed by the “one like a son of man” to write all that he hears and sees, from the prophetic visions, to Seven Churches of Asia. The appearance of the “one like a son of man” is given, and he reveals what the seven stars and seven lampstands represent.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>