{"object":[{"sourceId":{"label":"Source ID","value":"9336"},"copyright":{"label":"Copyright","value":"Copyright for this work is under review."},"thesconceptsTechnique":{"label":"Technique","value":["http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27226","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12428","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12818","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993"]},"creditline":{"label":"Credit Line","value":"Gift of Gordon W. Bailey in honor of Jean-Michel Basquiat"},"endDate":{"label":"End Date","value":"1984"},"sortNumber":{"label":"Sort Number","value":"2025    15    1"},"invno":{"label":"Accession number","value":"2025.15.1"},"description":{"label":"Description","value":"medium should likely be updated to: Paint, tar, putty, oyster shells, and sand on plywood"},"edition":{"label":"Photo Credit","value":"Adam Reich"},"medium":{"label":"Medium","value":"House paint, Bondo putty, oyster shells on wood"},"geographyPlaceregion":{"label":"Place/Region","value":"Frogmore, St. Helena Island"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/30807/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"30807"}},"title":{"label":"Title","value":"Dick"},"geographyCity":{"value":"Frogmore, St. Helena Island"},"textEntriesWebsitedisplaytext":{"value":["As painter and couturier Hylan Booker wrote, \u201cDoyle painted our presence, our enslaved history, our American history. His Gullah lore, with its African shadow, guides us outward, giving lines of reference, making a world visible, tangible, naming the dreams, tagging the darkness. Doyle is our witness, our voice, our griot. He created art that does more than arouse\u2014it reveals. Its very essence lives nature deep within our culture in those blank spaces where time has separated us from our dreams, our nightmares, from our dark history.\u201d (LACMA, 2014)A particularly dynamic and powerful work, typical of Doyle\u2019s aesthetic with its bold textual pronouncements, DICK / AISC is one of a few extant examples created on wood. The artist depicts \u201cDick\u201d in a bright yellow costume rowing a boat and harvesting oysters. The heavy concoction, loaded on the back, is created from a mix of thick Bondo putty and shells. Doyle said: \u201cI paint from, I would say, the mind\u2019s eye. \u2026 I know what it\u2019s all about you see.\u201d (NPR, 1983)","Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","reviewed by Art Bridges Fellow Austin Losada for the IMLS Neurodiversity Project 2026Valerie Rousseau changed multiple entries to conform to wishes of donor "]},"collections":{"label":"Collections","value":["Paintings","Recent Acquisitions"]},"geography":{"label":"Geography","value":"Frogmore, St. Helena Island"},"id":{"label":"Id","value":"167116"},"geographyState":{"value":"South Carolina"},"thesconceptsMaterials":{"label":"Materials","value":["http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27226","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12428","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12818","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993"]},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"1040","content":"Sam Doyle"}},"classifications":{"label":"Classification(s)","value":"Paintings"},"textEntries":{"label":"Text Entries","value":["As painter and couturier Hylan Booker wrote, \u201cDoyle painted our presence, our enslaved history, our American history. His Gullah lore, with its African shadow, guides us outward, giving lines of reference, making a world visible, tangible, naming the dreams, tagging the darkness. Doyle is our witness, our voice, our griot. He created art that does more than arouse\u2014it reveals. Its very essence lives nature deep within our culture in those blank spaces where time has separated us from our dreams, our nightmares, from our dark history.\u201d (LACMA, 2014)A particularly dynamic and powerful work, typical of Doyle\u2019s aesthetic with its bold textual pronouncements, DICK / AISC is one of a few extant examples created on wood. The artist depicts \u201cDick\u201d in a bright yellow costume rowing a boat and harvesting oysters. The heavy concoction, loaded on the back, is created from a mix of thick Bondo putty and shells. Doyle said: \u201cI paint from, I would say, the mind\u2019s eye. \u2026 I know what it\u2019s all about you see.\u201d (NPR, 1983)","Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","reviewed by Art Bridges Fellow Austin Losada for the IMLS Neurodiversity Project 2026Valerie Rousseau changed multiple entries to conform to wishes of donor "]},"beginDate":{"label":"Begin Date","value":"1982"},"inscribed":{"label":"Inscribed","value":"upper left: 'DICK'center left: 'A.I.S.C.'"},"thesconcepts":{"label":"Terms","value":["http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27226","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12428","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12818","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993"]},"displayDate":{"label":"Date","value":"1982\u20131984"},"thesconceptsObjecttype":{"label":"Object Type","value":["http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27226","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12320","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12428","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12818","http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster10993"]},"dimensions":{"label":"Dimensions","value":"25 x 48 x 4 \" (63.5 x 121.9 x 10.2 cm)"},"exhHistory":{"label":"Exhibition History","value":"Changing Tides: Gifts from Gordon W. Bailey, Ohr-O\u2019Keefe Museum of Art, Bilioxi, Mississippi, July 12, 2021\u2013February 2022.Fill My Heart With Hope: Works From The Gordon W. Bailey Collection, Museum of Contemporary Art in Jacksonville, Florida, July 25, 2024\u2013March 23, 2025."}}]}