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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Girl with Doll Carriage</value></field><field label="Date" name="displayDate"><value>1930</value></field><field label="Dimensions" name="dimensions"><value>15 x 11 3/4 " (38.1 x 29.8 cm)
Frame: 19 3/4 x 16 1/2 x 2 " (50.2 x 41.9 x 5.1 cm)</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Credit Line" name="creditline"><value>Anthony Petullo Collection</value></field><field label="Accession number" name="invno"><value>2025.7.2</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157929</value></field><field label="Source ID" name="sourceId"><value>9267</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, April 10, 2026 - Sunday, September 13, 2026" exhibitionEndISODate="2026-09-13" exhibitionEndDate="2026" exhibitionISOBeginDate="2026-04-10" exhibitionBeginDate="2026" exhibitionTitle="Self-Made" exhibitionID="446"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="609">John Kane</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Signed" name="signed"><value>lower right: 'JOHN KANE / 1930'</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26674</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12336</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster13041</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Pittsburgh</value></field><field name="geographyCity"><value>Pittsburgh</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"/><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Exhibition History" name="exhHistory"><value>John Kane Exhibition, The Knoedler Galleries, New York, September 1–30, 1967, no. 5.
 John Kane Traveling Exhibition, Galerie St. Etienne, March 1985-March 1986, no. 14 [sticker verso frame]. </value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Pittsburgh</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Girl with Doll Carriage is the 49th work by John Kane to enter AFAM’s collection, but only the second painting. The majority of these works are double-sided sketches completed in pencil that reveal how the artist worked out composition and subject matter before taking his ideas to canvas. While these sketches are important to understanding Kane’s process and shape our understanding of his painting practice, our collection does not adequately represent the artist’s oeuvre. The paintings are the artist’s most well-known subjects.</value><value>Vertical orientation painting of a verdant, well-groomed landscape with a young girl carefully lulls a doll to sleep rocking on a wicker chair. A nearby carriage completes her play set and a small white dog stands guard, ready to protect the young mother and child. The imaginative world of children endlessly inspired John Kane, whose own childhood was cut short at the age of eight when he began working in the shale mines of West Calder, Scotland. The painting Girl with Doll Carriage is typical of the quaint genre scenes of kids at play—where young girls play in the spray of a garden sprinkler or a make-believe doctor diagnoses a friend. However, this late painting is not simply a metaphor for the artist’s lost younger years or the innocence of childhood: it is also a reminder of his absence as a father to his daughter, after facing the death of his son in 1904.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26674</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12336</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster13041</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26674</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12336</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster13041</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster26674</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster12336</value><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster13041</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/27773/full" mediaId="27773"/></field><field label="Begin Date" name="beginDate"><value>1930</value></field><field label="End Date" name="endDate"><value>1930</value></field><field label="Sort Number" name="sortNumber"><value>  2025     7    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Girl with Doll Carriage is the 49th work by John Kane to enter AFAM’s collection, but only the second painting. The majority of these works are double-sided sketches completed in pencil that reveal how the artist worked out composition and subject matter before taking his ideas to canvas. While these sketches are important to understanding Kane’s process and shape our understanding of his painting practice, our collection does not adequately represent the artist’s oeuvre. The paintings are the artist’s most well-known subjects.</value><value>Vertical orientation painting of a verdant, well-groomed landscape with a young girl carefully lulls a doll to sleep rocking on a wicker chair. A nearby carriage completes her play set and a small white dog stands guard, ready to protect the young mother and child. The imaginative world of children endlessly inspired John Kane, whose own childhood was cut short at the age of eight when he began working in the shale mines of West Calder, Scotland. The painting Girl with Doll Carriage is typical of the quaint genre scenes of kids at play—where young girls play in the spray of a garden sprinkler or a make-believe doctor diagnoses a friend. However, this late painting is not simply a metaphor for the artist’s lost younger years or the innocence of childhood: it is also a reminder of his absence as a father to his daughter, after facing the death of his son in 1904.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>