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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Missouri Bridal Crazy Quilt</value></field><field label="Date" name="displayDate"><value>1900</value></field><field label="Dimensions" name="dimensions"><value>91 1/2 × 66 1/4"</value></field><field label="Medium" name="medium"><value>Wool and cotton with wool embroidery</value></field><field label="Credit Line" name="creditline"><value>Gift of Margaret Cavigga</value></field><field label="Accession number" name="invno"><value>1985.23.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>(including construction) Divided crazy quilt pieced from everyday coarse woolens and cottons on cotton foundation, no batting or quilting. Constructed of eight large central blocks: 22 3/4" X 18" and six smaller blocks either: 15" sq. Motifs embroidered in bright wool yarn include: children at water pumps, daisies, child blowing bubbles, owl, parasol, donkey and two overlapping hearts cut from cream muslin. All outside edges turned under and seamed with running stitch. Pieces hand stitched together, the seams finished with decorative stitching. Back: blue polka-dot cotton with velcro stitched on plain muslin in all four sides. atin, chain, feather, cross, stem, diamond herringbone, star embroidery stitches.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152856</value></field><field label="Source ID" name="sourceId"><value>926</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, April 24, 1986 - Sunday, April 27, 1986" exhibitionEndISODate="1986-04-27" exhibitionEndDate="1986" exhibitionISOBeginDate="1986-04-24" exhibitionBeginDate="1986" exhibitionTitle="Crazy for Quilts (Great American Quilt Festival 1)" exhibitionID="301"/><value exhibitionDisplayDate="Saturday, April 8, 1995 - Sunday, September 10, 1995" exhibitionEndISODate="1995-09-10" exhibitionEndDate="1995" exhibitionISOBeginDate="1995-04-08" exhibitionBeginDate="1995" exhibitionTitle="Victorian Vernacular" exhibitionID="72"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="819">May Dodge Harper</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Markings" name="markings"><value>Dated 1900 in bright colors, LR large block with goose above</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Poplar Bluff</value></field><field name="geographyCity"><value>Poplar Bluff</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Missouri</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Poplar Bluff</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Family history states that the two intertwined muslin hearts on the face of the quilt were from the wedding dress of the maker, May Harper. A handkerchief was pinned to the quilt with this history. The use of coarse, everyday fabrics is typical of the later crazy quilts and especially those made in rural areas where luxurious fabrics were less available and too costly. The very bright synthetic dyes used in the crewel yarns also suggest a late date for this piece.</value><value>Crazy Quilt</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1678/full" mediaId="1678"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3741/full" mediaId="3741"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3742/full" mediaId="3742"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3743/full" mediaId="3743"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/3744/full" mediaId="3744"/></field><field label="Begin Date" name="beginDate"><value>1900</value></field><field label="End Date" name="endDate"><value>1900</value></field><field label="Sort Number" name="sortNumber"><value>  1985    23    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Family history states that the two intertwined muslin hearts on the face of the quilt were from the wedding dress of the maker, May Harper. A handkerchief was pinned to the quilt with this history. The use of coarse, everyday fabrics is typical of the later crazy quilts and especially those made in rural areas where luxurious fabrics were less available and too costly. The very bright synthetic dyes used in the crewel yarns also suggest a late date for this piece.</value><value>Crazy Quilt</value></field></object>