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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Adam and Eve in the Garden of Eden Quilt</value></field><field label="Date" name="displayDate"><value>Mid-19th century</value></field><field label="Dimensions" name="dimensions"><value>88 1/4 x 92 1/2 " (224.2 x 235 cm)</value></field><field label="Medium" name="medium"><value>Cotton</value></field><field label="Credit Line" name="creditline"><value>Museum purchase with funds provided by Nina Beaty</value></field><field label="Accession number" name="invno"><value>2024.10.1</value></field><field label="On View" name="onview"><value>1</value></field><field label="Description" name="description"><value>range of techniques (including appliqué, chintz appliqué, and trapunto) appliqué vignettes depicting the story of Adam and Eve in the Garden of Eden. Two figures enact the narrative in multiple stages: Eve picking the apple at the urging of the serpent; Eve sharing the apple with Adam; and the couple being expelled from paradise. grapevine frames the scene with apple trees and other flora and fauna. </value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157878</value></field><field label="Source ID" name="sourceId"><value>9162</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, September 26, 2025 - Sunday, March 1, 2026" exhibitionEndISODate="2026-03-01" exhibitionEndDate="2026" exhibitionISOBeginDate="2025-09-26" exhibitionBeginDate="2025" exhibitionTitle="An Ecology of Quilts" exhibitionID="438"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="3368">Unidentified member of the Sinclair Family</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Vermont</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value><value>Recent Acquisitions</value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>Adam Reich</value></field><field label="Exhibition History" name="exhHistory"><value>Gerald E. Roy, “This Old Quilt: Saving a Masterpiece,” Fons and Porter’s Love of Quilting (March/April, 2009): 12-13.
Gerald E. Roy, “This Old Quilt: Saving a Masterpiece Part 2,” Fons and Porter’s Love of Quilting (May/June, 2009): 12-14.</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Provenance suggests this may be the work of a member of the Sinclair family of Vermont. The quilt was sold by an apparent descendant in 1999. The buyer Gerald Roy provided information speculating that it was made by one or more daughters of Franklin J. Sinclair (1825-1909): Lucretia, Florence, Abbie, or Jessie. However, given their young ages in the mid-19th century, their mother Adelia Sinclair seems like the most likely candidate of the family. In the 1860 census, Franklin Sinclair is listed as a journeyman carpenter; his wife Adelia Knowles Sinclair (1826-1896) was 33 at this time. The couple married in 1846.This is one of a group of four known survivals with similar motifs likely made by the same hand(s) or within a local style. One was offered to AFAM from the estate of Joanna Rose but could not be accessioned due to serious condition problems including significant fabric loss. Another example sold at Doyle in 2006. Apparently later iterations of the pattern were made by Sylvia Queen, of Connecticut, Indiana, and Kansas, now in the holdings of the Smithsonian and the Johnson County Museum of Shawnee, Kansas.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/27258/full" mediaId="27258"/></field><field label="Begin Date" name="beginDate"><value>1830</value></field><field label="End Date" name="endDate"><value>1870</value></field><field label="Sort Number" name="sortNumber"><value>  2024    10    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Provenance suggests this may be the work of a member of the Sinclair family of Vermont. The quilt was sold by an apparent descendant in 1999. The buyer Gerald Roy provided information speculating that it was made by one or more daughters of Franklin J. Sinclair (1825-1909): Lucretia, Florence, Abbie, or Jessie. However, given their young ages in the mid-19th century, their mother Adelia Sinclair seems like the most likely candidate of the family. In the 1860 census, Franklin Sinclair is listed as a journeyman carpenter; his wife Adelia Knowles Sinclair (1826-1896) was 33 at this time. The couple married in 1846.This is one of a group of four known survivals with similar motifs likely made by the same hand(s) or within a local style. One was offered to AFAM from the estate of Joanna Rose but could not be accessioned due to serious condition problems including significant fabric loss. Another example sold at Doyle in 2006. Apparently later iterations of the pattern were made by Sylvia Queen, of Connecticut, Indiana, and Kansas, now in the holdings of the Smithsonian and the Johnson County Museum of Shawnee, Kansas.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>