<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled</value></field><field label="Date" name="displayDate"><value>c. 2020</value></field><field label="Dimensions" name="dimensions"><value>68 x 36 " (172.7 x 91.4 cm)</value></field><field label="Medium" name="medium"><value>Yarn, cotton, polyester</value></field><field label="Credit Line" name="creditline"><value>Gift of Will and Mary Evans</value></field><field label="Accession number" name="invno"><value>2023.7.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Army green Dickie’s jumpsuit with thick yarn sewn on from a series produced in 2020 made from pieces of clothing.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157680</value></field><field label="Source ID" name="sourceId"><value>8811</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, April 12, 2024 - Sunday, May 25, 2025" exhibitionEndISODate="2025-05-25" exhibitionEndDate="2025" exhibitionISOBeginDate="2024-04-12" exhibitionBeginDate="2024" exhibitionTitle="Somewhere to Roost" exhibitionID="257"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="3062">Nana Yamazaki </value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>Japan</value></field><field name="geographyState"><value>Shiga Prefecture</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>Adam Reich</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Nana Yamazaki is a member at the Atelier Yamanami, a workshop in Japan that is centered on enabling individuals with cognitive and physical disabilities to engage in artistic practice. The above artwork comes from a series that Yamazaki produced in 2020, made from pieces of clothing (among them shirts, pants, overalls, and scarves) to which thick yarn is sewn. This one is the largest of the full-body suits, and it is made from an army green Dickie’s jumpsuit. This creation introduces a multi-directional sense of perspective and depth. On the one hand, we could perceive the yarn adornment as a “cover” of the clothing item cocooned within, in the spirit of fashion with a utilitarian function. However, if we shift the perspective to the exterior of this creation and its sculptural dimension, the work rather evokes an anthropomorphic—albeit headless—rainbow-hued human form in its own right, made of an overgrowth of interweaved botanical life. This effect is accentuated in part by Yamazaki’s contrasting interlacing of white yarn throughout the predominantly red-tinted body suit, which minimally contours the object in a manner akin to static electricity from the frayed ends of wires moving along the surface of a body instead of in the depths. The perspectival shift enacted in the work from depths to surface also demands a shift from the artist’s reflection on the idea contained within the work, so to speak, to the “live” abstraction of artistic labor itself. (Collections Committee Mtg, June 2023)</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26972/full" mediaId="26972"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26973/full" mediaId="26973"/></field><field label="Begin Date" name="beginDate"><value>2015</value></field><field label="End Date" name="endDate"><value>2023</value></field><field label="Sort Number" name="sortNumber"><value>  2023     7    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Nana Yamazaki is a member at the Atelier Yamanami, a workshop in Japan that is centered on enabling individuals with cognitive and physical disabilities to engage in artistic practice. The above artwork comes from a series that Yamazaki produced in 2020, made from pieces of clothing (among them shirts, pants, overalls, and scarves) to which thick yarn is sewn. This one is the largest of the full-body suits, and it is made from an army green Dickie’s jumpsuit. This creation introduces a multi-directional sense of perspective and depth. On the one hand, we could perceive the yarn adornment as a “cover” of the clothing item cocooned within, in the spirit of fashion with a utilitarian function. However, if we shift the perspective to the exterior of this creation and its sculptural dimension, the work rather evokes an anthropomorphic—albeit headless—rainbow-hued human form in its own right, made of an overgrowth of interweaved botanical life. This effect is accentuated in part by Yamazaki’s contrasting interlacing of white yarn throughout the predominantly red-tinted body suit, which minimally contours the object in a manner akin to static electricity from the frayed ends of wires moving along the surface of a body instead of in the depths. The perspectival shift enacted in the work from depths to surface also demands a shift from the artist’s reflection on the idea contained within the work, so to speak, to the “live” abstraction of artistic labor itself. (Collections Committee Mtg, June 2023)</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>