<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Stitching Horse</value></field><field label="Date" name="displayDate"><value>1840</value></field><field label="Dimensions" name="dimensions"><value>40 1/2 × 13 × 25"</value></field><field label="Medium" name="medium"><value>Wood, leather, metal</value></field><field label="Credit Line" name="creditline"><value>Eva and Morris Feld Folk Art Acquisition Fund</value></field><field label="Accession number" name="invno"><value>1985.19.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>(including construction) Harness making bench and vise in the form of a horse, dowelled construction; the seat with convez sides an rounded back, standing on four legs shaped to resemble a horse's legs, uneven stretchers. Pincers or "clam," dowelled and rivetted either side of bench and operated by a ratchet and strap device with leather strap threaded through holes in clam and running down side of body to pedal with attached metal piece, riveted behind front leg. Metal edge of pedal fits into any one of a series of notches on the metal ratchet bar attached behind front R leg. Sturdy but rough construction with unfinished surfaces.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152810</value></field><field label="Source ID" name="sourceId"><value>879</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Tools and Equipment</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Ohio</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Published References" name="pubreferences"><value>Similar Examples:
Sears Catalogue 1902, p. 419 
Kathryn M. McNerney, Primitives Our American Heritage, p. 49 
June Sprigg, Shaker Design, p. 150 
Ralph and Terry Kovel, American Country Furniture 1780-1875. p. 219, fig. 598 

Information about Harnessmaking: 
Bobbie Kalman, Early Artisans, pp. 38-39 
Rev. David Gehman, "The Last Days of Harness Making in Bucks County” in Bucks County Historical Society, Vol. VI, pp.79-81</value></field><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Stitching horses were commonly used by harness makers in plying their trade. The "clam" or princers provided a third arm for the worker, holding the leather firmly as he sewed. The straight edge of the pincers was used as a stitching guide and the top edges often show signs of wear from the needle. Stitching horses were in regular use from ca. 1830-1900 with little change in form, making dating difficult. The maker of this piece seems to have taken the term "stitching horse" literally, giving his piece the look of the real animal.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/20215/full" mediaId="20215"/></field><field label="Begin Date" name="beginDate"><value>1840</value></field><field label="End Date" name="endDate"><value>1840</value></field><field label="Sort Number" name="sortNumber"><value>  1985    19    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Stitching horses were commonly used by harness makers in plying their trade. The "clam" or princers provided a third arm for the worker, holding the leather firmly as he sewed. The straight edge of the pincers was used as a stitching guide and the top edges often show signs of wear from the needle. Stitching horses were in regular use from ca. 1830-1900 with little change in form, making dating difficult. The maker of this piece seems to have taken the term "stitching horse" literally, giving his piece the look of the real animal.</value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>