<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Catherine Van Slyck Dorr</value></field><field label="Date" name="displayDate"><value>1814–1815</value></field><field label="Dimensions" name="dimensions"><value>28 1/4 x 23 1/4"</value></field><field label="Medium" name="medium"><value>Oil on canvas</value></field><field label="Credit Line" name="creditline"><value>Bequest of W. Bliss Carnochan, The Carnochan Revocable Trust</value></field><field label="Accession number" name="invno"><value>2022.10.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>portrait of a young woman seated in paint-decorated chair at a table. holding a book and wearing a blue dress</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157521</value></field><field label="Source ID" name="sourceId"><value>8482</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="125">Ammi Phillips</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Published References" name="pubreferences"><value>David Allaway, My People: The Works of Ammi Phillips (online, 2019), no. 153. 
Stacy Hollander, Revisiting Ammi Phillips (AFAM, 1994), p. 64
</value></field><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Like the recently acquired portrait of Frederick A. Gale and portrait of Rhoda Goodrich Bentley, this stunningly beautiful and affecting depiction of a young girl dates to Ammi Phillips’ celebrated “Border Limner” period. The picture bears all the hallmarks of the artist’s early work, including the luminous, soft palette, and the tender but intense rendering of the girl’s features. The carefully composed scene communicates a desire to convey a certain refinement and material success which was increasingly becoming accessible to a burgeoning rural middle class during this historical moment. In particular, the elegant paint-decorated chair and the prominently displayed book are reflective of the Dorr family’s status as fashionable and educated members of their rural community. In addition to its exceptional aesthetic qualities, as the portrait of a girl on the cusp of adolescence, this work speaks powerfully of the experience of young womanhood during the Early Republic, serving as a powerful complement to our existing holdings from this period of Phillips’ career including a young boy (Gale) and a woman with her daughter (the Bentleys). </value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26072/full" mediaId="26072"/></field><field label="Begin Date" name="beginDate"><value>1814</value></field><field label="End Date" name="endDate"><value>1815</value></field><field label="Sort Number" name="sortNumber"><value>  2022    10    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Like the recently acquired portrait of Frederick A. Gale and portrait of Rhoda Goodrich Bentley, this stunningly beautiful and affecting depiction of a young girl dates to Ammi Phillips’ celebrated “Border Limner” period. The picture bears all the hallmarks of the artist’s early work, including the luminous, soft palette, and the tender but intense rendering of the girl’s features. The carefully composed scene communicates a desire to convey a certain refinement and material success which was increasingly becoming accessible to a burgeoning rural middle class during this historical moment. In particular, the elegant paint-decorated chair and the prominently displayed book are reflective of the Dorr family’s status as fashionable and educated members of their rural community. In addition to its exceptional aesthetic qualities, as the portrait of a girl on the cusp of adolescence, this work speaks powerfully of the experience of young womanhood during the Early Republic, serving as a powerful complement to our existing holdings from this period of Phillips’ career including a young boy (Gale) and a woman with her daughter (the Bentleys). </value></field></object>