{"object":[{"sourceId":{"label":"Source ID","value":"8472"},"titlesPopular":{"label":"Title (popular)","value":"Collage #6"},"creditline":{"label":"Credit Line","value":"Gift of Frank Maresca and Roger Ricco"},"endDate":{"label":"End Date","value":"1988"},"sortNumber":{"label":"Sort Number","value":"2022    11    1"},"invno":{"label":"Accession number","value":"2022.11.1"},"description":{"label":"Description","value":""},"edition":{"label":"Photo Credit","value":"Adam Reich"},"medium":{"label":"Medium","value":"Enamel and printed matter on Masonite"},"geographyPlaceregion":{"label":"Place/Region","value":"Columbus"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/26632/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"26632"}},"title":{"label":"Title","value":"Untitled"},"geographyCity":{"value":"Columbus"},"textEntriesWebsitedisplaytext":{"value":["Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","William L. Hawkins created only four works of this series\u2014three of them have recently been offered by Ricco/Maresca Gallery to art museums. The technique of collage was an important and often overlooked aspect of his oeuvre. Indeed, his entire practice revolved around the printed image. With less than a third grade education, and minimal reading and writing skills, Hawkins attached great value to anything that was printed. For instance, he may have incorporated a collaged eye to a composition. Meanwhile, with the exception of his signature and the characteristic painted borders of his works, subjects were all inspired by printed material that he extract from the trash, collected, and saved in a painted suitcase. Hawkins had in his home six televisions that did not work, on the screen of which he created collaged scenes.","reviewed for the IMLS Neurodiversity Project by Art Bridges Fellow Austin Losada 2026."]},"collections":{"label":"Collections","value":"Paintings"},"titlesDescriptive":{"label":"Title (descriptive)","value":"Collage #6"},"geography":{"label":"Geography","value":"Columbus"},"titlesFormer":{"label":"Title (former)","value":"Collage #6"},"id":{"label":"Id","value":"157516"},"geographyState":{"value":"Ohio"},"titlesArtists":{"label":"Title (artist's/given)","value":"Collage #6"},"signed":{"label":"Signed","value":"lower right: '95 / 18 / KY JULY.27 N'bottom edge: 'WILLIAM.L.HAWKINS.BOR'"},"geographyCountry":{"value":"United States"},"titlesTranslation":{"label":"Title (translated)","value":"Collage #6"},"onview":{"label":"On View","value":"0"},"titles":{"label":"Titles","value":"Collage #6"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"1199","content":"William L. Hawkins"}},"classifications":{"label":"Classification(s)","value":"Paintings"},"textEntries":{"label":"Text Entries","value":["Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","William L. Hawkins created only four works of this series\u2014three of them have recently been offered by Ricco/Maresca Gallery to art museums. The technique of collage was an important and often overlooked aspect of his oeuvre. Indeed, his entire practice revolved around the printed image. With less than a third grade education, and minimal reading and writing skills, Hawkins attached great value to anything that was printed. For instance, he may have incorporated a collaged eye to a composition. Meanwhile, with the exception of his signature and the characteristic painted borders of his works, subjects were all inspired by printed material that he extract from the trash, collected, and saved in a painted suitcase. Hawkins had in his home six televisions that did not work, on the screen of which he created collaged scenes.","reviewed for the IMLS Neurodiversity Project by Art Bridges Fellow Austin Losada 2026."]},"beginDate":{"label":"Begin Date","value":"1988"},"displayDate":{"label":"Date","value":"1988"},"curatorialRemarks":{"label":"Curatorial Remarks","value":""},"dimensions":{"label":"Dimensions","value":"48 x 56 1/2 \" (121.9 x 143.5 cm)"},"titlesInscribed":{"label":"Title (inscribed)","value":"Collage #6"}}]}