<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Map of the New England States</value></field><field label="Date" name="displayDate"><value>Early 19th century</value></field><field label="Dimensions" name="dimensions"><value>20 x 16 1/4 in.</value></field><field label="Medium" name="medium"><value>Ink and watercolor on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Elizabeth and Irwin Warren</value></field><field label="Accession number" name="invno"><value>2021.24.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157401</value></field><field label="Source ID" name="sourceId"><value>8123</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>These two hand-drawn maps (2021.24.1 &amp; 2021.24.2)  fill a notable gap in the collection with typical examples of the form, representing the United States and the New England region. The map of the United States is distinguished by the signature of the maker, Eliza Duncan, who was a pupil of Pinkerton Academy in Londonderry, New Hampshire. The New England map includes prominent depictions of the Appalachian Mountains, in addition to other ranges, and the locations of several of the region’s key towns.  Maps like these are important illustrations of an emerging sense of nationhood in the United States during the early years of the 19th century – especially following the War of 1812, when the focus of school projects shifted from global maps to national ones. They also speak to changing ideas about girls’ schooling, previously limited to ornamental forms like needlework, but now expanding into geographical and historical knowledge as greater value was placed on the education of young women as future “Republican mothers.”</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/27950/full" mediaId="27950"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26568/full" mediaId="26568"/></field><field label="Begin Date" name="beginDate"><value>1800</value></field><field label="End Date" name="endDate"><value>1830</value></field><field label="Sort Number" name="sortNumber"><value>  2021    24    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>These two hand-drawn maps (2021.24.1 &amp; 2021.24.2)  fill a notable gap in the collection with typical examples of the form, representing the United States and the New England region. The map of the United States is distinguished by the signature of the maker, Eliza Duncan, who was a pupil of Pinkerton Academy in Londonderry, New Hampshire. The New England map includes prominent depictions of the Appalachian Mountains, in addition to other ranges, and the locations of several of the region’s key towns.  Maps like these are important illustrations of an emerging sense of nationhood in the United States during the early years of the 19th century – especially following the War of 1812, when the focus of school projects shifted from global maps to national ones. They also speak to changing ideas about girls’ schooling, previously limited to ornamental forms like needlework, but now expanding into geographical and historical knowledge as greater value was placed on the education of young women as future “Republican mothers.”</value></field></object>