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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Train</value></field><field label="Date" name="displayDate"><value>1983</value></field><field label="Dimensions" name="dimensions"><value>51 3/4 x 86 3/4 x 33 " (131.4 x 220.3 x 83.8 cm)</value></field><field label="Medium" name="medium"><value>Wire, aluminum, headlight and bulb, beads, and found objects</value></field><field label="Credit Line" name="creditline"><value>Gift of Elizabeth Ross Johnson</value></field><field label="Accession number" name="invno"><value>1985.25.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>(including construction) Large model of train constructed of grid-worked wire and cut sheet aluminum, ends of wire twisted and hooked together to join pieces.  Cylindrical body with two smokestacks, windows each side, one front and back, and 1 1/4"w aluminum bindings on front, middle, back and along length of each side. Box cabin behind with domed top and five windows;  front of train with mounted conical hood converging to pointed end and bound with aluminum strips.  two wheels mounted each side and connected by aluminum bar.  Decorated overall with beads and found objects; figures, animals and pious sayings painted on cut aluminum hung with wire inside various sections of the train.  Aluminum bindings on front, middle, back and each side along length of cylinder;  headlight in front.</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152770</value></field><field label="Source ID" name="sourceId"><value>793</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Monday, October 15, 2018 - Thursday, February 7, 2019" exhibitionEndISODate="2019-02-07" exhibitionEndDate="2019" exhibitionISOBeginDate="2018-10-15" exhibitionBeginDate="2018" exhibitionTitle="Roadside Attraction" exhibitionID="227"/><value exhibitionDisplayDate="Thursday, August 8, 1996 - Sunday, December 29, 1996" exhibitionEndISODate="1996-12-29" exhibitionEndDate="1996" exhibitionISOBeginDate="1996-08-08" exhibitionBeginDate="1996" exhibitionTitle="American Expressions of Liberty" exhibitionID="83"/><value exhibitionDisplayDate="Thursday, September 13, 2012 - Sunday, January 13, 2013" exhibitionEndISODate="2013-01-13" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-13" exhibitionBeginDate="2012" exhibitionTitle="Ooh, Shiny!" exhibitionID="148"/><value exhibitionDisplayDate="Wednesday, July 15, 1987 - Friday, September 4, 1987" exhibitionEndISODate="1990-06-03" exhibitionEndDate="1990" exhibitionISOBeginDate="1987-07-15" exhibitionBeginDate="1987" exhibitionTitle="Life in the New World" exhibitionID="57"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="506">Howard Finster</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>© Howard Finster / Artists Rights Society (ARS), New York</value></field><field label="Markings" name="markings"><value>towards front of cylinder on suspended aluminum sign behind figure of woman in red dress:  CASEY JONES ENGENE/I HOWARD FINSTER VISITED/CASEY JONES HOME SEEN/HIS TRAIN: TOOK WIRE FLOWERS/AND MADE IT. 2000 AND 849/PIECES OF ART.  NO LIMET WHAT/YOU CAN MAKE WITH FENCE WIRE/YARD CHAIRS. TABLES, HOUSES, ANIMALS/PEOPLE AND ON.  10:58 P&gt;M&gt; MAY 27, 1983.  Signed below in pencil:  Howard Finster</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Summerville</value></field><field name="geographyCity"><value>Summerville</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Georgia</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Summerville</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>SCULPTURE</value><value>The Glory Train is a potent and persistent Christian metaphor in music, word, and visual art. Often described as a silver train, its reflective surface is a sign of God’s blazing light. Some believe the symbolism derives from a translation of Ephesians 4: “Therefore it is said, When He ascended on high, He led a train of vanquished foes.” In this work, revivalist Baptist minister Howard Finster has captured the silvery transcendence of the Glory Train through his literal use of silver metallic wire.
Stacy C. Hollander, "Train," exhibition label for Ooh, Shiny!. Stacy Hollander, curator. New York: American Folk Art Museum, 2010. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org </value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1692/full" mediaId="1692"/></field><field label="Begin Date" name="beginDate"><value>1983</value></field><field label="End Date" name="endDate"><value>1983</value></field><field label="Sort Number" name="sortNumber"><value>  1985    25    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>SCULPTURE</value><value>The Glory Train is a potent and persistent Christian metaphor in music, word, and visual art. Often described as a silver train, its reflective surface is a sign of God’s blazing light. Some believe the symbolism derives from a translation of Ephesians 4: “Therefore it is said, When He ascended on high, He led a train of vanquished foes.” In this work, revivalist Baptist minister Howard Finster has captured the silvery transcendence of the Glory Train through his literal use of silver metallic wire.
Stacy C. Hollander, "Train," exhibition label for Ooh, Shiny!. Stacy Hollander, curator. New York: American Folk Art Museum, 2010. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org </value></field></object>