Untitledn.d.Sheet: 16 1/2 x 7 3/4 " (41.9 x 19.7 cm)Ink, acrylic, fabrik thread on handmade paperGift of Heather Frayne2020.8.10Vertical orientation with ambiguous symbols (eyes, heads, rays), coded texts (letters emerge through the purple surfaces), and rich patterns to allude themes, such as dreams and the relationship of human beings with nature and the spiritual world and gentle shading to create an illusion of spatial depth. Two figures occupy the median line at the center of this work: a two-face red figure stands on a black box, on top of a black figure surrounded by waves.1570737488Domenico ZindatoDrawings© Domenico ZindatoBerlinBerlinGermanyWorks on PaperAmerican Folk Art MuseumBerlinObject information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. To help improve this record, please email photoservices@folkartmuseum.orgIn this small, intriguing early work, Zindato employs what will become his typical vocabulary of ambiguous symbols (eyes, heads, rays), coded texts (letters emerge through the purple surfaces), and rich patterns to allude themes, such as dreams and the relationship of human beings with nature and the spiritual world. He used gentle shading to create an illusion of spatial depth. Two figures occupy the median line at the center of this work: a two-face red figure stands on a black box, on top of a black figure surrounded by waves.00 2020 8 1 Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information. To help improve this record, please email photoservices@folkartmuseum.orgIn this small, intriguing early work, Zindato employs what will become his typical vocabulary of ambiguous symbols (eyes, heads, rays), coded texts (letters emerge through the purple surfaces), and rich patterns to allude themes, such as dreams and the relationship of human beings with nature and the spiritual world. He used gentle shading to create an illusion of spatial depth. Two figures occupy the median line at the center of this work: a two-face red figure stands on a black box, on top of a black figure surrounded by waves.