<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled</value></field><field label="Date" name="displayDate"><value>c. 1985</value></field><field label="Dimensions" name="dimensions"><value>7 1/2 x 9 7/8 x 6"</value></field><field label="Medium" name="medium"><value>Stain on cedar</value></field><field label="Credit Line" name="creditline"><value>Gift of Lowery Stokes Sims in memory of David Boxer</value></field><field label="Accession number" name="invno"><value>2020.4.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157064</value></field><field label="Source ID" name="sourceId"><value>7478</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="2760">William "Woody" Joseph</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Kingston</value></field><field name="geographyCity"><value>Kingston</value></field><field name="geographyCountry"><value>Jamaica</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Exhibition History" name="exhHistory"><value>
</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Kingston</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>In 1979, The Intuitive Eye exhibition at the National Gallery of Jamaica in Kingston launched the concept and term “Intuitive” as an alternative to problematic terms such as “primitive” and “naïve” art. Under the leadership of the museum director and chief curator David Boxer, the Intuitives concept played a major role in the articulation of the NGJ’s narratives, starting with the John Dunkley retrospective in 1976, which consecrated this then near-forgotten artist as one of the masters of Jamaican art. William “Woody” Joseph was associated to this genre.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26783/full" mediaId="26783"/></field><field label="Begin Date" name="beginDate"><value>1980</value></field><field label="End Date" name="endDate"><value>1990</value></field><field label="Sort Number" name="sortNumber"><value>  2020     4    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>In 1979, The Intuitive Eye exhibition at the National Gallery of Jamaica in Kingston launched the concept and term “Intuitive” as an alternative to problematic terms such as “primitive” and “naïve” art. Under the leadership of the museum director and chief curator David Boxer, the Intuitives concept played a major role in the articulation of the NGJ’s narratives, starting with the John Dunkley retrospective in 1976, which consecrated this then near-forgotten artist as one of the masters of Jamaican art. William “Woody” Joseph was associated to this genre.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>