{"object":[{"sourceId":{"label":"Source ID","value":"7478"},"copyright":{"label":"Copyright","value":"Copyright for this work is under review."},"creditline":{"label":"Credit Line","value":"Gift of Lowery Stokes Sims in memory of David Boxer"},"endDate":{"label":"End Date","value":"1990"},"sortNumber":{"label":"Sort Number","value":"2020     4    3"},"invno":{"label":"Accession number","value":"2020.4.3"},"description":{"label":"Description","value":""},"edition":{"label":"Photo Credit","value":"American Folk Art Museum"},"medium":{"label":"Medium","value":"Stain on cedar"},"geographyPlaceregion":{"label":"Place/Region","value":"Kingston"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/26783/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"26783"}},"title":{"label":"Title","value":"Untitled"},"geographyCity":{"value":"Kingston"},"textEntriesWebsitedisplaytext":{"value":["In 1979, The Intuitive Eye exhibition at the National Gallery of Jamaica in Kingston launched the concept and term \u201cIntuitive\u201d as an alternative to problematic terms such as \u201cprimitive\u201d and \u201cnaïve\u201d art. Under the leadership of the museum director and chief curator David Boxer, the Intuitives concept played a major role in the articulation of the NGJ\u2019s narratives, starting with the John Dunkley retrospective in 1976, which consecrated this then near-forgotten artist as one of the masters of Jamaican art. William \u201cWoody\u201d Joseph was associated to this genre.","Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"]},"collections":{"label":"Collections","value":"Three Dimensional Works"},"geography":{"label":"Geography","value":"Kingston"},"id":{"label":"Id","value":"157064"},"geographyState":{"value":""},"geographyCountry":{"value":"Jamaica"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"2760","content":"William \"Woody\" Joseph"}},"classifications":{"label":"Classification(s)","value":"Sculpture"},"textEntries":{"label":"Text Entries","value":["In 1979, The Intuitive Eye exhibition at the National Gallery of Jamaica in Kingston launched the concept and term \u201cIntuitive\u201d as an alternative to problematic terms such as \u201cprimitive\u201d and \u201cnaïve\u201d art. Under the leadership of the museum director and chief curator David Boxer, the Intuitives concept played a major role in the articulation of the NGJ\u2019s narratives, starting with the John Dunkley retrospective in 1976, which consecrated this then near-forgotten artist as one of the masters of Jamaican art. William \u201cWoody\u201d Joseph was associated to this genre.","Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"]},"beginDate":{"label":"Begin Date","value":"1980"},"displayDate":{"label":"Date","value":"c. 1985"},"curatorialRemarks":{"label":"Curatorial Remarks","value":""},"dimensions":{"label":"Dimensions","value":"7 1/2 x 9 7/8 x 6\""},"exhHistory":{"label":"Exhibition History","value":""}}]}