{"object":[{"sourceId":{"label":"Source ID","value":"7477"},"copyright":{"label":"Copyright","value":"© Artist Rights Society (ARS), New York"},"thesconceptsTechnique":{"label":"Technique","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27103"},"creditline":{"label":"Credit Line","value":"Gift of Lowery Stokes Sims in memory of David Driskell"},"endDate":{"label":"End Date","value":"2017"},"sortNumber":{"label":"Sort Number","value":"2020     4    2"},"invno":{"label":"Accession number","value":"2020.4.2"},"description":{"label":"Description","value":""},"edition":{"label":"Photo Credit","value":"American Folk Art Museum"},"medium":{"label":"Medium","value":"Archival pigment printfrom the edition of 50"},"geographyPlaceregion":{"label":"Place/Region","value":""},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/25335/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"25335"}},"title":{"label":"Title","value":"From the Roots I Am"},"geographyCity":{"value":""},"textEntriesWebsitedisplaytext":{"value":["Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","Lonnie Holley\u2019s art introduces political, autobiographical, and poetic narratives, which are transposed in the mnemonic quality of the material he uses for his assemblages and their titles: Chemical Hair and From the Roots I am. Evocative in this regard, these two works offered to AFAM come from the personal collection of celebrated curator Lowery Stokes Sims, who nourished a consistent interest for the works of African American self-taught artists like Bill Traylor in parallel with her contribution to the larger art conversation, first at the Met and later at MAD."]},"collections":{"label":"Collections","value":"Works on Paper"},"geography":{"label":"Geography","value":""},"id":{"label":"Id","value":"157063"},"geographyState":{"value":"New York"},"thesconceptsMaterials":{"label":"Materials","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27103"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"714","content":"Lonnie Holley"}},"classifications":{"label":"Classification(s)","value":"Prints"},"textEntries":{"label":"Text Entries","value":["Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","Lonnie Holley\u2019s art introduces political, autobiographical, and poetic narratives, which are transposed in the mnemonic quality of the material he uses for his assemblages and their titles: Chemical Hair and From the Roots I am. Evocative in this regard, these two works offered to AFAM come from the personal collection of celebrated curator Lowery Stokes Sims, who nourished a consistent interest for the works of African American self-taught artists like Bill Traylor in parallel with her contribution to the larger art conversation, first at the Met and later at MAD."]},"beginDate":{"label":"Begin Date","value":"2017"},"thesconcepts":{"label":"Terms","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27103"},"displayDate":{"label":"Date","value":"2017"},"thesconceptsObjecttype":{"label":"Object Type","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster27103"},"curatorialRemarks":{"label":"Curatorial Remarks","value":""},"dimensions":{"label":"Dimensions","value":"Sheet: 20 x 14 1/2 \" (50.8 x 36.8 cm)"}}]}