<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>On Earth and in Heaven</value></field><field label="Date" name="displayDate"><value>n.d.</value></field><field label="Dimensions" name="dimensions"><value>16 x 20 " (40.6 x 50.8 cm)</value></field><field label="Medium" name="medium"><value>Acrylic on paper canvas</value></field><field label="Credit Line" name="creditline"><value>Gift of the Estate of David Davies and Jack Weeden</value></field><field label="Accession number" name="invno"><value>2020.2.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>157061</value></field><field label="Source ID" name="sourceId"><value>7474</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, June 20, 1991 - Monday, March 23, 1992" exhibitionEndISODate="1992-03-23" exhibitionEndDate="1992" exhibitionISOBeginDate="1991-06-20" exhibitionBeginDate="1991" exhibitionTitle="Harry Lieberman" exhibitionID="308"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="461">Harry Lieberman</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Great Neck</value></field><field name="geographyCity"><value>Great Neck</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>American Folk Art Museum</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Great Neck</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>In 1956, Harry Lieberman started to paint vivid and dynamic narratives drawn primarily from Jewish history, religion, lore, and literature, although some works express his vie ws on contemporary issues. The artist regularly wrote texts in Yiddish and attached them to the backs of his paintings—which is not verified yet in the present two cases. These two interesting and dense paintings presently offered, portraying Hasid and secular Jews, suggest a positive reflection (vibrant colors, oversized and fertile flora, shared meals, crowded gatherings, angels) on the path he followed in America.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26659/full" mediaId="26659"/></field><field label="Begin Date" name="beginDate"><value>0</value></field><field label="End Date" name="endDate"><value>0</value></field><field label="Sort Number" name="sortNumber"><value>  2020     2    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>In 1956, Harry Lieberman started to paint vivid and dynamic narratives drawn primarily from Jewish history, religion, lore, and literature, although some works express his vie ws on contemporary issues. The artist regularly wrote texts in Yiddish and attached them to the backs of his paintings—which is not verified yet in the present two cases. These two interesting and dense paintings presently offered, portraying Hasid and secular Jews, suggest a positive reflection (vibrant colors, oversized and fertile flora, shared meals, crowded gatherings, angels) on the path he followed in America.</value></field></object>