{"object":[{"sourceId":{"label":"Source ID","value":"7473"},"creditline":{"label":"Credit Line","value":"Gift of the Estate of David Davies and Jack Weeden"},"endDate":{"label":"End Date","value":"0"},"sortNumber":{"label":"Sort Number","value":"2020     2    2"},"invno":{"label":"Accession number","value":"2020.2.2"},"description":{"label":"Description","value":""},"edition":{"label":"Photo Credit","value":"American Folk Art Museum"},"medium":{"label":"Medium","value":"Acrylic on paper"},"geographyPlaceregion":{"label":"Place/Region","value":"Great Neck"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/26658/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"26658"}},"title":{"label":"Title","value":"Group Around a Seder Table"},"geographyCity":{"value":"Great Neck"},"textEntriesWebsitedisplaytext":{"value":["Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","In 1956, Harry Lieberman started to paint vivid and dynamic narratives drawn primarily from Jewish history, religion, lore, and literature, although some works express his views on contemporary issues. The artist regularly wrote texts in Yiddish and attached them to the backs of his paintings\u2014which is not verified yet in the present two cases. These two interesting and dense paintings presently offered, portraying Hasid and secular Jews, suggest a positive reflection (vibrant colors, oversized and fertile flora, shared meals, crowded gatherings, angels) on the path he followed in America."]},"collections":{"label":"Collections","value":"Paintings"},"geography":{"label":"Geography","value":"Great Neck"},"id":{"label":"Id","value":"157060"},"geographyState":{"value":"New York"},"signed":{"label":"Signed","value":"initials HL"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"461","content":"Harry Lieberman"}},"classifications":{"label":"Classification(s)","value":"Paintings"},"textEntries":{"label":"Text Entries","value":["Object information is a work in progress and may be updatedwith new research. Records are reviewed and revised, and the American Folk ArtMuseum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org","In 1956, Harry Lieberman started to paint vivid and dynamic narratives drawn primarily from Jewish history, religion, lore, and literature, although some works express his views on contemporary issues. The artist regularly wrote texts in Yiddish and attached them to the backs of his paintings\u2014which is not verified yet in the present two cases. These two interesting and dense paintings presently offered, portraying Hasid and secular Jews, suggest a positive reflection (vibrant colors, oversized and fertile flora, shared meals, crowded gatherings, angels) on the path he followed in America."]},"beginDate":{"label":"Begin Date","value":"0"},"displayDate":{"label":"Date","value":"n.d."},"exhibitions":{"label":"Exhibitions","value":{"exhibitionDisplayDate":"Thursday, June 20, 1991 - Monday, March 23, 1992","exhibitionEndISODate":"1992-03-23","exhibitionID":"308","exhibitionISOBeginDate":"1991-06-20","exhibitionBeginDate":"1991","exhibitionTitle":"Harry Lieberman","exhibitionEndDate":"1992"}},"curatorialRemarks":{"label":"Curatorial Remarks","value":""},"dimensions":{"label":"Dimensions","value":"Sheet: 16 x 20 \" (40.6 x 50.8 cm)"}}]}