<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Wedding Ring Variation Quilt</value></field><field label="Date" name="displayDate"><value>1991</value></field><field label="Dimensions" name="dimensions"><value>82 x 75 " (208.3 x 190.5 cm)</value></field><field label="Medium" name="medium"><value>Cotton, wool, synthetics</value></field><field label="Credit Line" name="creditline"><value>Museum purchase made possible in part by a grant from the National Endowment for the Arts, with matching funds from The Great American Quilt Festival 3</value></field><field label="Accession number" name="invno"><value>1991.13.5</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Backing whipstitched to top.  Parallel line quilting.

</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152735</value></field><field label="Source ID" name="sourceId"><value>744</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, October 5, 2010 - Friday, July 8, 2011" exhibitionEndISODate="2011-07-08" exhibitionEndDate="2011" exhibitionISOBeginDate="2010-10-05" exhibitionBeginDate="2010" exhibitionTitle="Quilts: Masterworks from the American Folk Art Museum" exhibitionID="181"/><value exhibitionDisplayDate="Saturday, May 22, 2021 - Sunday, October 8, 2023" exhibitionEndISODate="2023-10-08" exhibitionEndDate="2023" exhibitionISOBeginDate="2021-05-22" exhibitionBeginDate="2021" exhibitionTitle="American Perspectives (Travel)" exhibitionID="245"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="737">Lureca Outland</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Boligee</value></field><field name="geographyCity"><value>Boligee</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Alabama</value></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Boligee</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>African American</value><value>TEXTILES</value><value>Lureca Outland’s version of the well-known Double Wedding Ring pattern features straight lines and squared centers instead of the traditional circles. As a child, Outland quilted the tops her mother had pieced. When she was in her teens, her mother taught her to make quilts using worn-out clothing. As Outland recalled, “Those quilts were not fancy like they are now. We used to piece up strip quilts. My mother knew some pattern quilts.” After her own children were grown, Outland joined a senior-citizens quiltmaking group and began to make “fancy” quilts, including the examples shown here.

Elizabeth V. Warren, "Wedding Ring Interpretation Quilt," exhibition label for QUILTS: Masterworks from the American Folk Art Museum. Elizabeth V. Warren, curator. New York: American Folk Art Museum, 2010.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2204/full" mediaId="2204"/></field><field label="Begin Date" name="beginDate"><value>1991</value></field><field label="End Date" name="endDate"><value>1991</value></field><field label="Sort Number" name="sortNumber"><value>  1991    13    5                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>African American</value><value>TEXTILES</value><value>Lureca Outland’s version of the well-known Double Wedding Ring pattern features straight lines and squared centers instead of the traditional circles. As a child, Outland quilted the tops her mother had pieced. When she was in her teens, her mother taught her to make quilts using worn-out clothing. As Outland recalled, “Those quilts were not fancy like they are now. We used to piece up strip quilts. My mother knew some pattern quilts.” After her own children were grown, Outland joined a senior-citizens quiltmaking group and began to make “fancy” quilts, including the examples shown here.

Elizabeth V. Warren, "Wedding Ring Interpretation Quilt," exhibition label for QUILTS: Masterworks from the American Folk Art Museum. Elizabeth V. Warren, curator. New York: American Folk Art Museum, 2010.</value></field></object>