<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Sensation</value></field><field label="Date" name="displayDate"><value>1999</value></field><field label="Dimensions" name="dimensions"><value>47 x 48"</value></field><field label="Medium" name="medium"><value>Aluminum-wrapped condoms with embroidery thread</value></field><field label="Credit Line" name="creditline"><value>Gift of the artist</value></field><field label="Accession number" name="invno"><value>2018.18.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>156753</value></field><field label="Source ID" name="sourceId"><value>6952</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="312">Drunell Levinson</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>New York</value></field><field name="geographyCity"><value>New York</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>Adam Reich</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>New York</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>In 1998 Drunell Levinson, an African American quilt artist in New York City, donated Baby Blanket, one of her first quilt constructions fashioned from wrapped condoms. Drunell taught herself to quilt in a traditional manner but soon used the quilt idiom in a more conceptual manner. “I began using condoms in my quilts because they are seen as feminine objects, and I was seeking a method whereby I might degender quilts. I selected the Gold Coin brand of condoms because of the shape and color,” says the artist Drunell Levinson about her series of “quilts” constructed from aluminum-wrapped condoms tied together with embroidery thread. Interested in updating the art of quiltmaking, Levinson uses such idiosyncratic materials for her artworks. She has other motives as well: In this case she wanted to honor the technique in quiltmaking of using three layers (a packaged condom). The artist also wanted to explore unusual materials in response to the then-current dialogue about materiality in contemporary art, made especially urgent with the exhibition “Sensation” presented by the Brooklyn Museum of Art, which included a work using elephant dung by the British artist Chris Ofili. At the time Drunell started the series condoms were becoming a necessity in contemporary sexual practices, not only as a birth control device, but for protection due to the rise of AIDS</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/22310/full" mediaId="22310"/></field><field label="Begin Date" name="beginDate"><value>1999</value></field><field label="End Date" name="endDate"><value>1999</value></field><field label="Sort Number" name="sortNumber"><value>  2018    18    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and
may be updated with new research. Records are reviewed and revised, and the
American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>In 1998 Drunell Levinson, an African American quilt artist in New York City, donated Baby Blanket, one of her first quilt constructions fashioned from wrapped condoms. Drunell taught herself to quilt in a traditional manner but soon used the quilt idiom in a more conceptual manner. “I began using condoms in my quilts because they are seen as feminine objects, and I was seeking a method whereby I might degender quilts. I selected the Gold Coin brand of condoms because of the shape and color,” says the artist Drunell Levinson about her series of “quilts” constructed from aluminum-wrapped condoms tied together with embroidery thread. Interested in updating the art of quiltmaking, Levinson uses such idiosyncratic materials for her artworks. She has other motives as well: In this case she wanted to honor the technique in quiltmaking of using three layers (a packaged condom). The artist also wanted to explore unusual materials in response to the then-current dialogue about materiality in contemporary art, made especially urgent with the exhibition “Sensation” presented by the Brooklyn Museum of Art, which included a work using elephant dung by the British artist Chris Ofili. At the time Drunell started the series condoms were becoming a necessity in contemporary sexual practices, not only as a birth control device, but for protection due to the rise of AIDS</value></field></object>