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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Coverlet</value></field><field label="Date" name="displayDate"><value>c. 1885</value></field><field label="Dimensions" name="dimensions"><value>108 x 83"</value></field><field label="Medium" name="medium"><value>Cotton</value></field><field label="Credit Line" name="creditline"><value>Gift of Theo Merrill Cates, in memory of the artist</value></field><field label="Accession number" name="invno"><value>2018.17.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>156748</value></field><field label="Source ID" name="sourceId"><value>6947</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="2616">Florence Dodge Morton Bratten</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20753</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>Adam Reich</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>This group of textile comprises two woven coverlets and three quilts made by a mother and daughter from the 1880s through the 1940s. The family were pioneers to Kansas but after the death of the father and a five-month baby in the mid-nineteenth century the family moved around the Midwest and eastern United States, settling for some time in Ohio. Following the death of her husband, Florence Bratten pursued various occupations to support herself and surviving daughter as a kindergarten teacher, bookkeeper, farmer, and weaver. She left two journals, included in this gift, detailing her daily life and her coverlet production including patterns and instructions for setting up the looms. By the end of the nineteenth century she had instituted weaving as an occupational therapy for women who were institutionalized in asylums, often by husbands who wished to be rid of them. The two quilts by her daughter, Theodora, educated at Oberlin College, were made as part of the Colonial Revival taste and include a Sunbonnet Babies quilt, a popular pattern not represented in the museum’s collection. (2018.17.1-2018.17.5)</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20753</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20753</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster20753</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26958/full" mediaId="26958"/></field><field label="Begin Date" name="beginDate"><value>1880</value></field><field label="End Date" name="endDate"><value>1890</value></field><field label="Sort Number" name="sortNumber"><value>  2018    17    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>This group of textile comprises two woven coverlets and three quilts made by a mother and daughter from the 1880s through the 1940s. The family were pioneers to Kansas but after the death of the father and a five-month baby in the mid-nineteenth century the family moved around the Midwest and eastern United States, settling for some time in Ohio. Following the death of her husband, Florence Bratten pursued various occupations to support herself and surviving daughter as a kindergarten teacher, bookkeeper, farmer, and weaver. She left two journals, included in this gift, detailing her daily life and her coverlet production including patterns and instructions for setting up the looms. By the end of the nineteenth century she had instituted weaving as an occupational therapy for women who were institutionalized in asylums, often by husbands who wished to be rid of them. The two quilts by her daughter, Theodora, educated at Oberlin College, were made as part of the Colonial Revival taste and include a Sunbonnet Babies quilt, a popular pattern not represented in the museum’s collection. (2018.17.1-2018.17.5)</value></field></object>