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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Rhoda Goodrich (Mrs. William Northrop) Bentley and Daughter</value></field><field label="Date" name="displayDate"><value>1815–1820</value></field><field label="Dimensions" name="dimensions"><value>34 x 27 " (86.4 x 68.6 cm)
Frame: 37 x 30 x 1 1/2 " (94 x 76.2 x 3.8 cm)</value></field><field label="Medium" name="medium"><value>Oil on canvas; in original frame</value></field><field label="Credit Line" name="creditline"><value>Gift of Ralph and Bobbi Terkowitz</value></field><field label="Accession number" name="invno"><value>2019.3.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>156681</value></field><field label="Source ID" name="sourceId"><value>6731</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, November 15, 2023 - Sunday, March 24, 2024" exhibitionEndISODate="2024-03-24" exhibitionEndDate="2024" exhibitionISOBeginDate="2023-11-15" exhibitionBeginDate="2023" exhibitionTitle="Unnamed Figures" exhibitionID="256"/><value exhibitionDisplayDate="Tuesday, February 11, 2020 - Sunday, January 3, 2021" exhibitionEndISODate="2021-01-03" exhibitionEndDate="2021" exhibitionISOBeginDate="2020-02-11" exhibitionBeginDate="2020" exhibitionTitle="American Perspectives" exhibitionID="239"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"><value>P1.2018.1</value></field><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="125">Ammi Phillips</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Lebanon Springs</value></field><field name="geographyCity"><value>Lebanon Springs</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Lebanon Springs</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The portrait of Mrs. William Northrop Bentley (Rhoda Goodrich 1786–1842) and her daughter Maria Louisa H. Bentley (1813–1901), was painted by Ammi Phillips as a companion to the portrait of Captain William Northrup Bentley (1777–1849). In his portrait, Captain Bentley holds a book whose title references the biblical freeing of the Hebrew slaves. In the portrait of Mrs. Bentley her daughter holds a slice of watermelon. Both portraits thus make oblique reference to the “peculiar institution” of slavery. A state law abolishing slavery was passed in New York on July 4, 1799 thus ensuring that the children of slaves were free, but full freedom did not pass until July 4, 1827. The Bentleys were the proprietors of Columbia Hall in Lebanon Springs, New York.  Columbia Hall was the first spa and largest hotel in Lebanon, with 300 rooms. It was visited by George Washington, General Lafayette, and other early American luminaries. The hotel remained in the family until it was sold in 1846 and later destroyed. After Rhoda Bentley died, William went to Chicago with his daughter Maria Louisa and her family, where he died of cholera in 1849.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"><value>P1.2018.1</value></field><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/21418/full" mediaId="21418"/></field><field label="Begin Date" name="beginDate"><value>1815</value></field><field label="End Date" name="endDate"><value>1820</value></field><field label="Sort Number" name="sortNumber"><value>  2019     3    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The portrait of Mrs. William Northrop Bentley (Rhoda Goodrich 1786–1842) and her daughter Maria Louisa H. Bentley (1813–1901), was painted by Ammi Phillips as a companion to the portrait of Captain William Northrup Bentley (1777–1849). In his portrait, Captain Bentley holds a book whose title references the biblical freeing of the Hebrew slaves. In the portrait of Mrs. Bentley her daughter holds a slice of watermelon. Both portraits thus make oblique reference to the “peculiar institution” of slavery. A state law abolishing slavery was passed in New York on July 4, 1799 thus ensuring that the children of slaves were free, but full freedom did not pass until July 4, 1827. The Bentleys were the proprietors of Columbia Hall in Lebanon Springs, New York.  Columbia Hall was the first spa and largest hotel in Lebanon, with 300 rooms. It was visited by George Washington, General Lafayette, and other early American luminaries. The hotel remained in the family until it was sold in 1846 and later destroyed. After Rhoda Bentley died, William went to Chicago with his daughter Maria Louisa and her family, where he died of cholera in 1849.</value><value>Object information is a work in progress and may be updated
with new research. Records are reviewed and revised, and the American Folk Art
Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>