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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Monkey</value></field><field label="Date" name="displayDate"><value>Late 19th to early 20th century</value></field><field label="Dimensions" name="dimensions"><value>21 1/2 × 12 1/2 × 14 3/4"</value></field><field label="Medium" name="medium"><value>Paint on wood with metal, glass, and tape</value></field><field label="Credit Line" name="creditline"><value>Gift of Dorothea and Leo Rabkin</value></field><field label="Accession number" name="invno"><value>1988.20.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>
</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152662</value></field><field label="Source ID" name="sourceId"><value>639</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, November 16, 2004 - Sunday, August 23, 2009" exhibitionEndISODate="2009-08-23" exhibitionEndDate="2009" exhibitionISOBeginDate="2004-11-16" exhibitionBeginDate="2004" exhibitionTitle="Folk Art Revealed" exhibitionID="132"/><value exhibitionDisplayDate="Wednesday, June 20, 2012 - Sunday, October 7, 2012" exhibitionEndISODate="2012-10-07" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-06-20" exhibitionBeginDate="2012" exhibitionTitle="COMPASS: Folk Art in Four Directions" exhibitionID="151"/><value exhibitionDisplayDate="Friday, March 20, 1998 - Wednesday, April 22, 1998" exhibitionEndISODate="1998-04-22" exhibitionEndDate="1998" exhibitionISOBeginDate="1998-03-20" exhibitionBeginDate="1998" exhibitionTitle="Just Plain People" exhibitionID="381"/><value exhibitionDisplayDate="Thursday, August 28, 1980 - Sunday, November 30, 1980" exhibitionEndISODate="1980-11-30" exhibitionEndDate="1980" exhibitionISOBeginDate="1980-08-28" exhibitionBeginDate="1980" exhibitionTitle="Whirligigs &amp; Wind Toys " exhibitionID="269"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/><value/></field><field name="geographyCity"><value/><value/></field><field name="geographyCountry"><value>Canada</value><value>United States</value></field><field name="geographyState"><value/><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>SCULPTURE</value><value>This rather threatening monkey is one of several carvings of figures and animals made by an unidentified artist around the turn of the twentieth century. There is some indication they may hail from Nova Scotia, Canada. What is striking about the group, which also includes a wrestler, a horse, and several standing figures, is the use of tin to fashion ears and tongues and dark glass for eyes. The monkey presents a ferocious aspect, its sharp teeth and dark gaze emerging from a smear of white paint across its face. The sense of animus is intensified by the taut body, with puppetlike, articulated arms and legs.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1950/full" mediaId="1950"/></field><field label="Begin Date" name="beginDate"><value>1870</value></field><field label="End Date" name="endDate"><value>1930</value></field><field label="Sort Number" name="sortNumber"><value>  1988    20    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>SCULPTURE</value><value>This rather threatening monkey is one of several carvings of figures and animals made by an unidentified artist around the turn of the twentieth century. There is some indication they may hail from Nova Scotia, Canada. What is striking about the group, which also includes a wrestler, a horse, and several standing figures, is the use of tin to fashion ears and tongues and dark glass for eyes. The monkey presents a ferocious aspect, its sharp teeth and dark gaze emerging from a smear of white paint across its face. The sense of animus is intensified by the taut body, with puppetlike, articulated arms and legs.</value></field></object>