{"object":[{"sourceId":{"label":"Source ID","value":"639"},"creditline":{"label":"Credit Line","value":"Gift of Dorothea and Leo Rabkin"},"endDate":{"label":"End Date","value":"1930"},"sortNumber":{"label":"Sort Number","value":"1988    20    3"},"invno":{"label":"Accession number","value":"1988.20.3"},"description":{"label":"Description","value":""},"medium":{"label":"Medium","value":"Paint on wood with metal, glass, and tape"},"geographyPlaceregion":{"label":"Place/Region","value":["",""]},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/1950/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"1950"}},"title":{"label":"Title","value":"Monkey"},"geographyCity":{"value":["",""]},"textEntriesWebsitedisplaytext":{"value":["SCULPTURE","This rather threatening monkey is one of several carvings of figures and animals made by an unidentified artist around the turn of the twentieth century. There is some indication they may hail from Nova Scotia, Canada. What is striking about the group, which also includes a wrestler, a horse, and several standing figures, is the use of tin to fashion ears and tongues and dark glass for eyes. The monkey presents a ferocious aspect, its sharp teeth and dark gaze emerging from a smear of white paint across its face. The sense of animus is intensified by the taut body, with puppetlike, articulated arms and legs."]},"collections":{"label":"Collections","value":"Three Dimensional Works"},"geography":{"label":"Geography","value":["",""]},"id":{"label":"Id","value":"152662"},"geographyState":{"value":["",""]},"geographyCountry":{"value":["Canada","United States"]},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"103","content":"Artist unidentified"}},"classifications":{"label":"Classification(s)","value":"Sculpture"},"textEntries":{"label":"Text Entries","value":["SCULPTURE","This rather threatening monkey is one of several carvings of figures and animals made by an unidentified artist around the turn of the twentieth century. There is some indication they may hail from Nova Scotia, Canada. What is striking about the group, which also includes a wrestler, a horse, and several standing figures, is the use of tin to fashion ears and tongues and dark glass for eyes. The monkey presents a ferocious aspect, its sharp teeth and dark gaze emerging from a smear of white paint across its face. The sense of animus is intensified by the taut body, with puppetlike, articulated arms and legs."]},"beginDate":{"label":"Begin Date","value":"1870"},"displayDate":{"label":"Date","value":"Late 19th to early 20th century"},"exhibitions":{"label":"Exhibitions","value":[{"exhibitionDisplayDate":"Tuesday, November 16, 2004 - Sunday, August 23, 2009","exhibitionEndISODate":"2009-08-23","exhibitionID":"132","exhibitionISOBeginDate":"2004-11-16","exhibitionBeginDate":"2004","exhibitionTitle":"Folk Art Revealed","exhibitionEndDate":"2009"},{"exhibitionDisplayDate":"Wednesday, June 20, 2012 - Sunday, October 7, 2012","exhibitionEndISODate":"2012-10-07","exhibitionID":"151","exhibitionISOBeginDate":"2012-06-20","exhibitionBeginDate":"2012","exhibitionTitle":"COMPASS: Folk Art in Four Directions","exhibitionEndDate":"2012"},{"exhibitionDisplayDate":"Friday, March 20, 1998 - Wednesday, April 22, 1998","exhibitionEndISODate":"1998-04-22","exhibitionID":"381","exhibitionISOBeginDate":"1998-03-20","exhibitionBeginDate":"1998","exhibitionTitle":"Just Plain People","exhibitionEndDate":"1998"},{"exhibitionDisplayDate":"Thursday, August 28, 1980 - Sunday, November 30, 1980","exhibitionEndISODate":"1980-11-30","exhibitionID":"269","exhibitionISOBeginDate":"1980-08-28","exhibitionBeginDate":"1980","exhibitionTitle":"Whirligigs & Wind Toys ","exhibitionEndDate":"1980"}]},"curatorialRemarks":{"label":"Curatorial Remarks","value":""},"dimensions":{"label":"Dimensions","value":"21 1/2 × 12 1/2 × 14 3/4\""}}]}