<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Turtleback Side Chair</value></field><field label="Date" name="displayDate"><value>1827–1835</value></field><field label="Dimensions" name="dimensions"><value>35 1/2 x 17 5/8 x 18 " (90.2 x 44.8 x 45.7 cm)</value></field><field label="Medium" name="medium"><value>Painted and stencilled wood</value></field><field label="Credit Line" name="creditline"><value>Gift of Helaine and Burton M. Fendelman</value></field><field label="Accession number" name="invno"><value>2017.21.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>156198</value></field><field label="Source ID" name="sourceId"><value>6100</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Friday, March 15, 2019 - Sunday, July 28, 2019" exhibitionEndISODate="2019-07-28" exhibitionEndDate="2019" exhibitionISOBeginDate="2019-03-15" exhibitionBeginDate="2019" exhibitionTitle="Made in New York City" exhibitionID="231"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="2552">Thomas Jefferson Gildersleeve</value></field><field label="Classification(s)" name="classifications"><value>Furniture/Furnishings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19786</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>New York</value></field><field name="geographyCity"><value>New York</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value>

</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>New York</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>In her book The Ornamented Chair, author Zilla Riden Lea attributes this fancy side chair to Thomas Gildersleeve, whose surviving trade card identifies him as a “gilder and maker of furniture and chairs of all descriptions” in his lower Manhattan shop. Some of the stenciled units on this chair are identical to those found among his extant stencils. This is a rare example from this notable urban shop. Gildersleeve was born in Springfield, New Jersey, and came to New York City as an apprentice in the shop of Richard Tweed (father of “Boss” Tweed). In 1827 he opened his own shop at 237–239 Delancey Street, later relocating to 197 Chatham Street when the street was razed to make way for a bridge. Some elements of Gilder sleeve's stencil kit have survived including packets of metallic powders, papier-mâché boxes, handmade stencil knife, etching tool, and stencils. Eventually the production of such stenciled Fancy chairs was streamlined in manufactories, notably the Hitchcock factory that operated in Connecticut. </value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19786</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19786</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19786</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/20425/full" mediaId="20425"/></field><field label="Begin Date" name="beginDate"><value>1827</value></field><field label="End Date" name="endDate"><value>1835</value></field><field label="Sort Number" name="sortNumber"><value>  2017    21    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>In her book The Ornamented Chair, author Zilla Riden Lea attributes this fancy side chair to Thomas Gildersleeve, whose surviving trade card identifies him as a “gilder and maker of furniture and chairs of all descriptions” in his lower Manhattan shop. Some of the stenciled units on this chair are identical to those found among his extant stencils. This is a rare example from this notable urban shop. Gildersleeve was born in Springfield, New Jersey, and came to New York City as an apprentice in the shop of Richard Tweed (father of “Boss” Tweed). In 1827 he opened his own shop at 237–239 Delancey Street, later relocating to 197 Chatham Street when the street was razed to make way for a bridge. Some elements of Gilder sleeve's stencil kit have survived including packets of metallic powders, papier-mâché boxes, handmade stencil knife, etching tool, and stencils. Eventually the production of such stenciled Fancy chairs was streamlined in manufactories, notably the Hitchcock factory that operated in Connecticut. </value><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>