<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Crazy Quilt</value></field><field label="Date" name="displayDate"><value>1880–1900</value></field><field label="Dimensions" name="dimensions"><value>76 x 65 1/2"</value></field><field label="Medium" name="medium"><value>Silks brocades, and velvets, with silk embroidery</value></field><field label="Credit Line" name="creditline"><value>Gift of Jaqueline Loewe  Fowler</value></field><field label="Accession number" name="invno"><value>2017.3.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value></value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>156193</value></field><field label="Source ID" name="sourceId"><value>6095</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value></field><field label="Curatorial Remarks" name="curatorialRemarks"><value></value></field><field label="Department" name="department"/><field label="Photo Credit" name="edition"><value>Adam Reich</value></field><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>


















Object
information is a work in progress and may be updated with new research. Records
are reviewed and revised, and the American Folk Art Museum welcomes additional
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</value><value>Crazy quilts became popular following Philadelphia Centennial, when the Japanese Pavilion introduced new modalities of asymmetry and crackled surfaces, and motifs such as fans. Crazy quilts combined these exotic ideas and constructions with a new emphasis on aesthetic needlework and the recent affordability and availability of rich textiles. This is an example of a contained crazy quilt, so called because it is constructed in blocks.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/26050/full" mediaId="26050"/></field><field label="Begin Date" name="beginDate"><value>1880</value></field><field label="End Date" name="endDate"><value>1990</value></field><field label="Sort Number" name="sortNumber"><value>  2017     3    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>


















Object
information is a work in progress and may be updated with new research. Records
are reviewed and revised, and the American Folk Art Museum welcomes additional
information.　



To help improve
this record, please email photoservices@folkartmuseum.org





</value><value>Crazy quilts became popular following Philadelphia Centennial, when the Japanese Pavilion introduced new modalities of asymmetry and crackled surfaces, and motifs such as fans. Crazy quilts combined these exotic ideas and constructions with a new emphasis on aesthetic needlework and the recent affordability and availability of rich textiles. This is an example of a contained crazy quilt, so called because it is constructed in blocks.</value></field></object>