{"object":[{"sourceId":{"label":"Source ID","value":"5173"},"creditline":{"label":"Credit Line","value":"Gift of Kendra and Allan Daniel"},"endDate":{"label":"End Date","value":"1925"},"sortNumber":{"label":"Sort Number","value":"2015     1  168"},"invno":{"label":"Accession number","value":"2015.1.168"},"geographyCountry":{"value":"United States"},"medium":{"label":"Medium","value":"Paint and gold leaf on wood, with paper-covered composition globe"},"onview":{"label":"On View","value":"0"},"geographyPlaceregion":{"label":"Place/Region","value":""},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/5127/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"5127"}},"title":{"label":"Title","value":"Fraternal Hourglass with Globe"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"103","content":"Artist unidentified"}},"geographyCity":{"value":""},"classifications":{"label":"Classification(s)","value":"Tools and Equipment"},"textEntries":{"label":"Text Entries","value":"The Initiatory Degree for Odd Fellows, as with many fraternal groups, included the theme of death and resurrection: After a symbolic death, the candidate would be reborn as a full member of the group. The contemplation of mortality stressed the importance of living in an ethical manner and mentally prepared a candidate for his rebirth and the obligations that accompanied his acceptance into the fraternity. The hourglass, emblematic of the passage of time, is one of the most common fraternal symbols. Freemasons employ the hourglass or winged hourglass in their Master Mason, or Third, Degree to symbolize the transitory nature of life. In Odd Fellowship, the hourglass was used in the Encampment Royal Purple Degree. After the Odd Fellows reorganized their degrees in 1882, the hourglass, without a globe, was used in the Third, or Truth, Degree and is also the emblem on the jewel of the Vice Grand. As described in one Odd Fellows monitor: \u201cThis emblem speaks to us of the brevity of human life. As the sands in the hour-glass incessantly run down, so every breath we breathe but shortens life and brings the end nearer and nearer.\u201dStacy C. Hollander, \"Fraternal Hourglass with Globe,\" exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"beginDate":{"label":"Begin Date","value":"1875"},"textEntriesWebsitedisplaytext":{"value":"The Initiatory Degree for Odd Fellows, as with many fraternal groups, included the theme of death and resurrection: After a symbolic death, the candidate would be reborn as a full member of the group. The contemplation of mortality stressed the importance of living in an ethical manner and mentally prepared a candidate for his rebirth and the obligations that accompanied his acceptance into the fraternity. The hourglass, emblematic of the passage of time, is one of the most common fraternal symbols. Freemasons employ the hourglass or winged hourglass in their Master Mason, or Third, Degree to symbolize the transitory nature of life. In Odd Fellowship, the hourglass was used in the Encampment Royal Purple Degree. After the Odd Fellows reorganized their degrees in 1882, the hourglass, without a globe, was used in the Third, or Truth, Degree and is also the emblem on the jewel of the Vice Grand. As described in one Odd Fellows monitor: \u201cThis emblem speaks to us of the brevity of human life. As the sands in the hour-glass incessantly run down, so every breath we breathe but shortens life and brings the end nearer and nearer.\u201dStacy C. Hollander, \"Fraternal Hourglass with Globe,\" exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"collections":{"label":"Collections","value":["Three Dimensional Works","Fraternal Art and Objects"]},"geography":{"label":"Geography","value":""},"displayDate":{"label":"Date","value":"1875\u20131925"},"exhibitions":{"label":"Exhibitions","value":[{"exhibitionDisplayDate":"Sunday, May 29, 2022 - Friday, September 5, 2025","exhibitionEndISODate":"2025-09-05","exhibitionID":"247","exhibitionISOBeginDate":"2022-05-29","exhibitionBeginDate":"2022","exhibitionTitle":"Mystery & Benevolence (Travel)","exhibitionEndDate":"2025"},{"exhibitionDisplayDate":"Thursday, January 21, 2016 - Sunday, May 8, 2016","exhibitionEndISODate":"2016-05-08","exhibitionID":"168","exhibitionISOBeginDate":"2016-01-21","exhibitionBeginDate":"2016","exhibitionTitle":"Mystery and Benevolence","exhibitionEndDate":"2016"}]},"id":{"label":"Id","value":"155564"},"geographyState":{"value":""},"dimensions":{"label":"Dimensions","value":"16 x 16 1/4 \""}}]}