<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Independent Order of Odd Fellows Apron</value></field><field label="Date" name="displayDate"><value>1840–1870</value></field><field label="Dimensions" name="dimensions"><value>15 1/2 × 15 1/2"</value></field><field label="Medium" name="medium"><value>Bullion and cotton embroidery on velvet, with spangles, bullion fringe, cotton belt with metal buckle, and chintz back</value></field><field label="Credit Line" name="creditline"><value>Gift of Kendra and Allan Daniel</value></field><field label="Accession number" name="invno"><value>2015.1.95</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155509</value></field><field label="Source ID" name="sourceId"><value>5115</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, January 21, 2016 - Sunday, May 8, 2016" exhibitionEndISODate="2016-05-08" exhibitionEndDate="2016" exhibitionISOBeginDate="2016-01-21" exhibitionBeginDate="2016" exhibitionTitle="Mystery and Benevolence" exhibitionID="168"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Costume</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster21504</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Textiles</value><value>Fraternal Art and Objects</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Following the example set by Freemasonry, many American fraternal groups incorporated aprons into their regalia. The material and style exhibited in this apron helps to date it to the mid-1800s. The symbols of an all-seeing eye and a beehive were common to several fraternal groups, including the Masons and the Odd Fellows. The evidence seen in this apron—shape, materials, colors, and symbols—suggests that it was originally used by a group associated with the Independent Order of Odd Fellows, perhaps even the Odd Fellows’ female auxiliary, the Daughters of Rebekah. 

Stacy C. Hollander, "Independent Order of Odd Fellows Apron," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster21504</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster21504</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster21504</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/5056/full" mediaId="5056"/></field><field label="Begin Date" name="beginDate"><value>1840</value></field><field label="End Date" name="endDate"><value>1870</value></field><field label="Sort Number" name="sortNumber"><value>  2015     1   95                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Following the example set by Freemasonry, many American fraternal groups incorporated aprons into their regalia. The material and style exhibited in this apron helps to date it to the mid-1800s. The symbols of an all-seeing eye and a beehive were common to several fraternal groups, including the Masons and the Odd Fellows. The evidence seen in this apron—shape, materials, colors, and symbols—suggests that it was originally used by a group associated with the Independent Order of Odd Fellows, perhaps even the Odd Fellows’ female auxiliary, the Daughters of Rebekah. 

Stacy C. Hollander, "Independent Order of Odd Fellows Apron," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>