<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Marie-Henriette Heiniken (Mme. de Xaintrailles)</value></field><field label="Date" name="displayDate"><value>c. 1800</value></field><field label="Dimensions" name="dimensions"><value>6 1/2 × 5 1/4" (oval)</value></field><field label="Medium" name="medium"><value>Watercolor on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Kendra and Allan Daniel</value></field><field label="Accession number" name="invno"><value>2015.1.87</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155506</value></field><field label="Source ID" name="sourceId"><value>5111</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, January 21, 2016 - Sunday, May 8, 2016" exhibitionEndISODate="2016-05-08" exhibitionEndDate="2016" exhibitionISOBeginDate="2016-01-21" exhibitionBeginDate="2016" exhibitionTitle="Mystery and Benevolence" exhibitionID="168"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Miniatures</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>France</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value><value>Fraternal Art and Objects</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>German-born Marie-Henriette Heiniken was an adventurous woman, better known as “Madame de Xaintrailles,” who disguised herself as a man in order to serve in the military during the Napoleonic Wars, earning her rank “at the point of the sword.” In this diminutive portrait, she is shown wearing the military uniform of a French cavalry major. Heiniken purportedly acted as aide-de-camp to General Charles Antoine Xaintrailles, who is cited in most sources as her husband, and in others as her lover.  

Heiniken was one of only a few women to become a Freemason during the eighteenth and nineteenth centuries. According to one account, she went to the Masonic Loge des Frères Artistes in Paris in hopes of joining the French Adoption Rite, a lodge specifically for women. Instead, when the brothers learned her identity, they decided to initiate her into the First, or Entered Apprentice, Degree in the male lodge because of her brave service. Period sources have yet to be uncovered to verify the details, but the story has been published repeatedly in Masonic histories.

Stacy C. Hollander, "Marie-Henriette Heiniken (Mme. de Xaintrailles) (?–1818)," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/5048/full" mediaId="5048"/></field><field label="Begin Date" name="beginDate"><value>1795</value></field><field label="End Date" name="endDate"><value>1805</value></field><field label="Sort Number" name="sortNumber"><value>  2015     1   87                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>German-born Marie-Henriette Heiniken was an adventurous woman, better known as “Madame de Xaintrailles,” who disguised herself as a man in order to serve in the military during the Napoleonic Wars, earning her rank “at the point of the sword.” In this diminutive portrait, she is shown wearing the military uniform of a French cavalry major. Heiniken purportedly acted as aide-de-camp to General Charles Antoine Xaintrailles, who is cited in most sources as her husband, and in others as her lover.  

Heiniken was one of only a few women to become a Freemason during the eighteenth and nineteenth centuries. According to one account, she went to the Masonic Loge des Frères Artistes in Paris in hopes of joining the French Adoption Rite, a lodge specifically for women. Instead, when the brothers learned her identity, they decided to initiate her into the First, or Entered Apprentice, Degree in the male lodge because of her brave service. Period sources have yet to be uncovered to verify the details, but the story has been published repeatedly in Masonic histories.

Stacy C. Hollander, "Marie-Henriette Heiniken (Mme. de Xaintrailles) (?–1818)," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>