Knights Templar Badge for Triennial Conclave19074 x 2 1/2 " (10.2 x 6.4 cm)Enamel on metalGift of Kendra and Allan Daniel2015.1.8401555035108Charles M. Robbins CompanyJewelryThe American Folk Art Museum believes this work to be in the public domain.AttleboroAttleboroUnited StatesMassachusettsThree Dimensional WorksFraternal Art and ObjectsAttleboroA man may join the Knights Templar once he receives the Master Mason, or Third, Degree at his local lodge. Each local Knights Templar Commandery, is overseen by the state’s Grand Commandery and the national Grand Encampment. Every three years, the national Knights Templar Encampment holds a meeting for its members. This badge is from the 1907 Triennial Conclave, held in Saratoga, New York, and was available to all attendees.
Stacy C. Hollander, "Knights Templar Badge for Triennial Conclave," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.org19071907 2015 1 84 A man may join the Knights Templar once he receives the Master Mason, or Third, Degree at his local lodge. Each local Knights Templar Commandery, is overseen by the state’s Grand Commandery and the national Grand Encampment. Every three years, the national Knights Templar Encampment holds a meeting for its members. This badge is from the 1907 Triennial Conclave, held in Saratoga, New York, and was available to all attendees.
Stacy C. Hollander, "Knights Templar Badge for Triennial Conclave," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016.
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.
To help improve this record, please email photoservices@folkartmuseum.org