<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Nine Figures Climbing Trees</value></field><field label="Date" name="displayDate"><value>1972</value></field><field label="Dimensions" name="dimensions"><value>Sheet: 22 x 32 " (55.9 x 81.3 cm)
Frame: 29 x 38 3/8 x 1 1/4 " (73.7 x 97.5 x 3.2 cm)</value></field><field label="Medium" name="medium"><value>Oil pastel and pencil on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Mr. and Mrs. Alexander Sackton</value></field><field label="Accession number" name="invno"><value>1985.1.10</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>(including construction) Drawing of nine figures in mixed front and side views on white background with twining branches.  Figures grouped two on LS, one to L of center, six on RS. All have pinkish skin with purple cast, arms outstreched  or crooked at elbow, with paddle-like hands and splayed fingers.  All torsos are frontal and all heads, arms, legs and feet are in side views.  All faces have elongated noses, deep blue circles for eyes with slash of blue for brows and curvy shape on side of face to indicate ears.  Figures are placed in branches of trees, interspersed with separate green leaves.  The whole in double border four sides: 1/2" blue border inside, 1" (sight) dark brown border outside.  Frame:  Contemporary oak frame with mitered corners and nail construction.  Drawing under plexiglass and mounted behind white mat board.  Newly backed with black paper. January 16-22, 1972.
</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152571</value></field><field label="Source ID" name="sourceId"><value>510</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, June 20, 2012 - Sunday, October 7, 2012" exhibitionEndISODate="2012-10-07" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-06-20" exhibitionBeginDate="2012" exhibitionTitle="COMPASS: Folk Art in Four Directions" exhibitionID="151"/><value exhibitionDisplayDate="Friday, May 16, 1986 - Friday, September 12, 1986" exhibitionEndISODate="1986-09-14" exhibitionEndDate="1986" exhibitionISOBeginDate="1986-05-27" exhibitionBeginDate="1986" exhibitionTitle="Muffled Voices" exhibitionID="293"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="327">Eddie Arning</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Markings" name="markings"><value>inventory # 1667 on back with signature according to donor files. Dated January 16 to 22, 1972</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Austin</value></field><field name="geographyCity"><value>Austin</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Texas</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Austin</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Print source: Colored Drawing by Cuca Romley, GOOD HOUSEKEEPING, 173, August, 1971.  PP. 82-83</value><value>DRAWING</value><value>Carl Wilhelm Edward Arning was born in 1898 in Germania, Texas, and left school after six years to work on his father's farm. In his late twenties, he began to experience symptoms of mental illness; in 1928, after several violent episodes, he was committed to a state hospital in Austin, where he remained until furloughed to a nursing home in 1964 after his symptoms had disappeared. Encouraged by an art teacher at the home, Arning began to draw. His career was further nurtured by a group of collectors who provided materials and friendship. He enjoyed ten productive years during which he made over 2,000 drawings. In 1973, after leaving the home to live with his sister, Arning ceased working.

Stimulated by magazine illustrations, Eddie Arning developed a complex and inventive style. Nine Figures Climbing Trees, based on an illustration of children’s fashions, is a fine example of Arning’s mature work. He has adopted the composition, colors, and details of the original but distilled three-dimensional forms into blocks of saturated color. The children have become stylized figures with frontal torsos, heads in profile, and enormous hands. Their faces are identical, with round eyes punctuated with slashlike eyebrows, question-mark ears, long, narrow noses, and no mouths. Arning also transformed the busy plaids and prints of the original clothes into bold, geometric patterns. The children float among sinuous tree branches and brown-veined green leaves, details that Arning abstracted from the original. The creamy white background and blue and black borders set off the rhythmic patterns of this masterful drawing.

Cheryl Rivers, "Nine Figures Climbing Trees," in Stacy C. Hollander, American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 393.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/1591/full" mediaId="1591"/></field><field label="Begin Date" name="beginDate"><value>1972</value></field><field label="End Date" name="endDate"><value>1972</value></field><field label="Sort Number" name="sortNumber"><value>  1985     1   10                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Print source: Colored Drawing by Cuca Romley, GOOD HOUSEKEEPING, 173, August, 1971.  PP. 82-83</value><value>DRAWING</value><value>Carl Wilhelm Edward Arning was born in 1898 in Germania, Texas, and left school after six years to work on his father's farm. In his late twenties, he began to experience symptoms of mental illness; in 1928, after several violent episodes, he was committed to a state hospital in Austin, where he remained until furloughed to a nursing home in 1964 after his symptoms had disappeared. Encouraged by an art teacher at the home, Arning began to draw. His career was further nurtured by a group of collectors who provided materials and friendship. He enjoyed ten productive years during which he made over 2,000 drawings. In 1973, after leaving the home to live with his sister, Arning ceased working.

Stimulated by magazine illustrations, Eddie Arning developed a complex and inventive style. Nine Figures Climbing Trees, based on an illustration of children’s fashions, is a fine example of Arning’s mature work. He has adopted the composition, colors, and details of the original but distilled three-dimensional forms into blocks of saturated color. The children have become stylized figures with frontal torsos, heads in profile, and enormous hands. Their faces are identical, with round eyes punctuated with slashlike eyebrows, question-mark ears, long, narrow noses, and no mouths. Arning also transformed the busy plaids and prints of the original clothes into bold, geometric patterns. The children float among sinuous tree branches and brown-veined green leaves, details that Arning abstracted from the original. The creamy white background and blue and black borders set off the rhythmic patterns of this masterful drawing.

Cheryl Rivers, "Nine Figures Climbing Trees," in Stacy C. Hollander, American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 393.</value></field></object>