<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Independent Order of Odd Fellows Tables of Stone</value></field><field label="Date" name="displayDate"><value>1850–1900</value></field><field label="Dimensions" name="dimensions"><value>24 1/4 × 19 3/4"</value></field><field label="Medium" name="medium"><value>Paint on wood</value></field><field label="Credit Line" name="creditline"><value>Gift of Kendra and Allan Daniel</value></field><field label="Accession number" name="invno"><value>2015.1.23</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155452</value></field><field label="Source ID" name="sourceId"><value>5056</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, January 21, 2016 - Sunday, May 8, 2016" exhibitionEndISODate="2016-05-08" exhibitionEndDate="2016" exhibitionISOBeginDate="2016-01-21" exhibitionBeginDate="2016" exhibitionTitle="Mystery and Benevolence" exhibitionID="168"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Sculpture</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value><value>Fraternal Art and Objects</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>In addition to theatrical role-playing with costumes, fraternal groups used colorful painted wood props to make their degree rituals come alive. The initiates learned the meaning of the various symbols more easily when they could be tied to physical representations of the elements of the stories being told. Odd Fellows used the “Tables of Stone,” or Decalogue, in the Encampment Degrees to symbolize moral law and toleration. Taken from the biblical story in Exodus, where God gives the commandments to Moses to govern His people, they are used in the Encampment Degrees to represent the Jewish religion, with a cross to represent Christianity, and a crescent to signify Islam. Together, the three symbols represent tolerance and harmony. 

Stacy C. Hollander, "Independent Order of Odd Fellows Tables of Stone," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4968/full" mediaId="4968"/></field><field label="Begin Date" name="beginDate"><value>1850</value></field><field label="End Date" name="endDate"><value>1900</value></field><field label="Sort Number" name="sortNumber"><value>  2015     1   23                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>In addition to theatrical role-playing with costumes, fraternal groups used colorful painted wood props to make their degree rituals come alive. The initiates learned the meaning of the various symbols more easily when they could be tied to physical representations of the elements of the stories being told. Odd Fellows used the “Tables of Stone,” or Decalogue, in the Encampment Degrees to symbolize moral law and toleration. Taken from the biblical story in Exodus, where God gives the commandments to Moses to govern His people, they are used in the Encampment Degrees to represent the Jewish religion, with a cross to represent Christianity, and a crescent to signify Islam. Together, the three symbols represent tolerance and harmony. 

Stacy C. Hollander, "Independent Order of Odd Fellows Tables of Stone," exhibition label for Mystery and Benevolence: Masonic and Odd Fellows Folk Art from the Kendra and Allan Daniel Collection. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2016. 

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value></field></object>