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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Academy of Sciences</value></field><field label="Date" name="displayDate"><value>May 20, 1977</value></field><field label="Dimensions" name="dimensions"><value>16 × 20"</value></field><field label="Medium" name="medium"><value>Oil on canvas, in original painted frame</value></field><field label="Credit Line" name="creditline"><value>Gift of Helen and Jack Bershad</value></field><field label="Accession number" name="invno"><value>2012.20.3</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155408</value></field><field label="Source ID" name="sourceId"><value>5009</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"/><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="42">Alexander Aramburo Maldonado</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Signed" name="signed"><value>lower right: 'Alex A. Maldonado'</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>San Francisco</value></field><field name="geographyCity"><value>San Francisco</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>California</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>San Francisco</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Begininng in the 1950s, around the time that Oswald Tschirtner entered the Gugging-Klosterneuburg hospital outside Vienna, the Austrian psychiatrist Leo Navratil began encouraging his patients to draw the human figure. Tschirtner, a former seminary student who fought in World War II, allegedly drew only when prompted by Navratil, who was interested in the relationship between schizophrenia and artistic expression. Many art critics have commented on the distinctive economy of expression that characterizes Tschirtner's drawings. His principal subjects are "Kopffüßler"—or "head-footers," whose bodies are minimally delineated shafts in which faces and feet predominate. These sparsely decorated, schematic figures populate his pictures in repetitive groupings that may hark back to his experience of rank-and-file military formations.

Stacy C. Hollander, "Eine Stadt (A Town)," exhibition label for Recent Gifts. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2013.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/9249/full" mediaId="9249"/><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/9250/full" mediaId="9250"/></field><field label="Begin Date" name="beginDate"><value>1977</value></field><field label="End Date" name="endDate"><value>1977</value></field><field label="Sort Number" name="sortNumber"><value>  2012    20    3                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>
Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Begininng in the 1950s, around the time that Oswald Tschirtner entered the Gugging-Klosterneuburg hospital outside Vienna, the Austrian psychiatrist Leo Navratil began encouraging his patients to draw the human figure. Tschirtner, a former seminary student who fought in World War II, allegedly drew only when prompted by Navratil, who was interested in the relationship between schizophrenia and artistic expression. Many art critics have commented on the distinctive economy of expression that characterizes Tschirtner's drawings. His principal subjects are "Kopffüßler"—or "head-footers," whose bodies are minimally delineated shafts in which faces and feet predominate. These sparsely decorated, schematic figures populate his pictures in repetitive groupings that may hark back to his experience of rank-and-file military formations.

Stacy C. Hollander, "Eine Stadt (A Town)," exhibition label for Recent Gifts. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2013.</value></field></object>