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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Close Finish Hooked Rug</value></field><field label="Date" name="displayDate"><value>Early 20th century</value></field><field label="Dimensions" name="dimensions"><value>32 1/2 × 46"</value></field><field label="Medium" name="medium"><value>Wool and burlap with cotton binding</value></field><field label="Credit Line" name="creditline"><value>Bequest of Gertrude Schweitzer</value></field><field label="Accession number" name="invno"><value>1990.28.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Rug depicting a bicycle race and the Judges box with an American flag on top. Lower left corner "Close Finish"</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152564</value></field><field label="Source ID" name="sourceId"><value>500</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Inscribed" name="inscribed"><value>'Close Finish' recto lower left</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value>Treasures of Folk Art: Museum of American Folk Art</value></field><field label="Collections" name="collections"><value>Textiles</value><value>eMuseum - Collection Highlights</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>HOOKED RUG</value><value>The "New England Kitchen" display at the Philadelphia Centennial Exhibition of 1876 sparked an interest in America's colonial heritage that presaged the Colonial Revival movement. For many women, this translated into a renewed regard for simple materials and good handcraftsmanship applied to ordinary household items, and no fashionable Colonial Revival interior was complete without a spinning wheel in the corner, a cotton quilt on the bed, and a hooked rug on the floor. The exposition also included a display of English bicycles that sparked a cycling craze in America through the end of the century. From 1890 until 1896, the number of cyclists rose from about 150,000 to 4 million. The fad inspired the institution of professional cycling clubs and bicycle races, which became increasingly popular during the 1890s. After this period, widespread interest in cycling diminished, replaced by automobile driving and other activities. The imagery on this rug suggests a date between the 1880s and 1890s, when the high-wheelers depicted in the scene were in their heyday. It is more likely, however, that it was made during the Colonial Revival period, when hooked rugs began to exhibit a taste for nostalgic scenes with related texts.

Stacy C. Hollander, "Close Finish Hooked Rug," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 370.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2155/full" mediaId="2155"/></field><field label="Begin Date" name="beginDate"><value>1900</value></field><field label="End Date" name="endDate"><value>1930</value></field><field label="Sort Number" name="sortNumber"><value>  1990    28    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>HOOKED RUG</value><value>The "New England Kitchen" display at the Philadelphia Centennial Exhibition of 1876 sparked an interest in America's colonial heritage that presaged the Colonial Revival movement. For many women, this translated into a renewed regard for simple materials and good handcraftsmanship applied to ordinary household items, and no fashionable Colonial Revival interior was complete without a spinning wheel in the corner, a cotton quilt on the bed, and a hooked rug on the floor. The exposition also included a display of English bicycles that sparked a cycling craze in America through the end of the century. From 1890 until 1896, the number of cyclists rose from about 150,000 to 4 million. The fad inspired the institution of professional cycling clubs and bicycle races, which became increasingly popular during the 1890s. After this period, widespread interest in cycling diminished, replaced by automobile driving and other activities. The imagery on this rug suggests a date between the 1880s and 1890s, when the high-wheelers depicted in the scene were in their heyday. It is more likely, however, that it was made during the Colonial Revival period, when hooked rugs began to exhibit a taste for nostalgic scenes with related texts.

Stacy C. Hollander, "Close Finish Hooked Rug," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 370.</value></field></object>