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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Untitled</value></field><field label="Date" name="displayDate"><value>n.d.</value></field><field label="Dimensions" name="dimensions"><value>22 1/2 × 23"</value></field><field label="Medium" name="medium"><value>Pencil and watercolor on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Charles O'Neal</value></field><field label="Accession number" name="invno"><value>2014.12.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155224</value></field><field label="Source ID" name="sourceId"><value>4675</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Monday, March 5, 2018 - Thursday, July 5, 2018" exhibitionEndISODate="2018-07-05" exhibitionEndDate="2018" exhibitionISOBeginDate="2018-03-05" exhibitionBeginDate="2018" exhibitionTitle="Holding Space" exhibitionID="224"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="2219">Agatha Wojciechowsky</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>New York</value></field><field name="geographyCity"><value>New York</value></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>New York</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>New York</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>
In 1923, Agatha Wojciechowsky (1896–1986) emigrated from Germany to the United States, where she became a member of the Universal Spiritualist Association, receiving investiture into the priesthood in 1961. Spiritualism is the belief that spirits of the dead are able to communicate with the living. Beginning in the mid-19th century, spiritualism was tied to scientific investigation and medical practice. It was believed the spirit world could legitimize experience, and provide insight into moral and ethical issues—including the nature of God. In the wake of the Civil War, it is not surprising that spiritualism took hold—so many were stricken by grief and seeking answers. 


Wojciechowsky first took up painting, drawing, and writing as tools to communicate with the spirit world in 1951. From her small New York apartment, she was lead by two Native American spirit guides into a trance-like state from which she would produce automatic writings and paintings. About her work she stated: "This is the work of different entities who take over and step into my body, directing my hand. I really have nothing to do with it." To date, more than 550 works such as Untitled have been retrieved, including ten notebooks of automatic writings. The work brings to mind the dream journals of the Surrealists though, in Wojciechowsky’s case, it is not the individual Unconscious but rather the spirits of the deceased who dictate the form her art takes.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/5189/full" mediaId="5189"/></field><field label="Begin Date" name="beginDate"><value>0</value></field><field label="End Date" name="endDate"><value>0</value></field><field label="Sort Number" name="sortNumber"><value>  2014    12    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org</value><value>
In 1923, Agatha Wojciechowsky (1896–1986) emigrated from Germany to the United States, where she became a member of the Universal Spiritualist Association, receiving investiture into the priesthood in 1961. Spiritualism is the belief that spirits of the dead are able to communicate with the living. Beginning in the mid-19th century, spiritualism was tied to scientific investigation and medical practice. It was believed the spirit world could legitimize experience, and provide insight into moral and ethical issues—including the nature of God. In the wake of the Civil War, it is not surprising that spiritualism took hold—so many were stricken by grief and seeking answers. 


Wojciechowsky first took up painting, drawing, and writing as tools to communicate with the spirit world in 1951. From her small New York apartment, she was lead by two Native American spirit guides into a trance-like state from which she would produce automatic writings and paintings. About her work she stated: "This is the work of different entities who take over and step into my body, directing my hand. I really have nothing to do with it." To date, more than 550 works such as Untitled have been retrieved, including ten notebooks of automatic writings. The work brings to mind the dream journals of the Surrealists though, in Wojciechowsky’s case, it is not the individual Unconscious but rather the spirits of the deceased who dictate the form her art takes.</value></field></object>