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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Fancy Side Chair</value></field><field label="Date" name="displayDate"><value>1830–1845</value></field><field label="Dimensions" name="dimensions"><value>35 3/8 × 17 1/4 × 19"</value></field><field label="Medium" name="medium"><value>Paint, bronze powder stenciling, and gold leaf on wood with painted rush seat</value></field><field label="Credit Line" name="creditline"><value>Gift of the Historical Society of Early American Decoration</value></field><field label="Accession number" name="invno"><value>82.19.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155187</value></field><field label="Source ID" name="sourceId"><value>4637</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Furniture/Furnishings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19836</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/><value/></field><field name="geographyCity"><value/><value/></field><field name="geographyCountry"><value>United States</value><value>United States</value></field><field name="geographyState"><value>New York</value><value>Connecticut</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value><value>eMuseum - Collection Highlights</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>This fancy side chair features a roll top, which was popular in New York City, upstate New York, New Jersey, and Connecticut from the mid-1820s through the 1840s. The ornamental scroll front and "turkey legs," with multiple ring turnings embellished with gold leaf, elevated both the challenges of construction and the resulting price to the customer. The seat on this type of chair was often woven rush, known as "flag," thus leading to the appellation "flag-bottomed" chair. Flag could be purchased in bundles and stored for future use, or it could be acquired green directly from sloops that brought it into New York's ports. Before it could be bundled and stored, however, the rush had to be properly dried to prevent rotting. After the rush was "matted" and "moulded" (woven and framed), it frequently received two coats of white paint for added protection and decorative effect. Ransom Cook, Saratoga Springs's best known nineteenth-century chairmaker, repaired, painted, and bottomed such chairs. In the 1830s his charge for matting and painting rush seats on four chairs was just $1.25.

Stacy C. Hollander, "Fancy Side Chair," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 328.</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19836</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19836</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster19836</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4772/full" mediaId="4772"/></field><field label="Begin Date" name="beginDate"><value>1830</value></field><field label="End Date" name="endDate"><value>1845</value></field><field label="Sort Number" name="sortNumber"><value>    82    19    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>This fancy side chair features a roll top, which was popular in New York City, upstate New York, New Jersey, and Connecticut from the mid-1820s through the 1840s. The ornamental scroll front and "turkey legs," with multiple ring turnings embellished with gold leaf, elevated both the challenges of construction and the resulting price to the customer. The seat on this type of chair was often woven rush, known as "flag," thus leading to the appellation "flag-bottomed" chair. Flag could be purchased in bundles and stored for future use, or it could be acquired green directly from sloops that brought it into New York's ports. Before it could be bundled and stored, however, the rush had to be properly dried to prevent rotting. After the rush was "matted" and "moulded" (woven and framed), it frequently received two coats of white paint for added protection and decorative effect. Ransom Cook, Saratoga Springs's best known nineteenth-century chairmaker, repaired, painted, and bottomed such chairs. In the 1830s his charge for matting and painting rush seats on four chairs was just $1.25.

Stacy C. Hollander, "Fancy Side Chair," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 328.</value></field></object>