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<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Double Wedding Ring Candlewick Spread</value></field><field label="Date" name="displayDate"><value>1897</value></field><field label="Dimensions" name="dimensions"><value>79 3/4 × 65"</value></field><field label="Medium" name="medium"><value>Cotton with clipped cotton roving embroidery</value></field><field label="Credit Line" name="creditline"><value>Gift of Robert Bishop</value></field><field label="Accession number" name="invno"><value>1990.25.1</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>Double wedding design worked in candlewicking, two concentric circles in center</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>152535</value></field><field label="Source ID" name="sourceId"><value>460</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="1989-1998" exhibitionEndISODate="1998" exhibitionEndDate="1998" exhibitionISOBeginDate="1989-04-26" exhibitionBeginDate="1989" exhibitionTitle="The Romance of the Double Wedding Ring Quilt (Great American Quilt Festival 2)" exhibitionID="89"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Textiles</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Signed" name="signed"><value>embroidered: 'LH'</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"><value/></field><field label="Collections" name="collections"><value>Textiles</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The popular pattern known as Double Wedding Ring is generally associated with bright cotton pieced quilts from the Depression era and later. This candlewick spread is dated 1897, indicating that the all-over composition of overlapping rings has a longer history in textiles. The sheared candlewick embroidery, a technique known as tufting, has fluffed up with exposure to moisture, anticipating the taste for chenille bedcovers that was to ensue during the 1930s to 1950s. Coincidentally, this was the heyday of the Double Wedding Ring pattern.

Stacy C. Hollander, "Double Wedding Ring Candlewick Quilt," exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.</value><value>confirm inscription in embroidery, unable to to determine from image</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/2119/full" mediaId="2119"/></field><field label="Begin Date" name="beginDate"><value>1897</value></field><field label="End Date" name="endDate"><value>1897</value></field><field label="Sort Number" name="sortNumber"><value>  1990    25    1                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The popular pattern known as Double Wedding Ring is generally associated with bright cotton pieced quilts from the Depression era and later. This candlewick spread is dated 1897, indicating that the all-over composition of overlapping rings has a longer history in textiles. The sheared candlewick embroidery, a technique known as tufting, has fluffed up with exposure to moisture, anticipating the taste for chenille bedcovers that was to ensue during the 1930s to 1950s. Coincidentally, this was the heyday of the Double Wedding Ring pattern.

Stacy C. Hollander, "Double Wedding Ring Candlewick Quilt," exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.</value><value>confirm inscription in embroidery, unable to to determine from image</value></field></object>