{"object":[{"sourceId":{"label":"Source ID","value":"460"},"copyright":{"label":"Copyright","value":"The American Folk Art Museum believes this work to be in the public domain."},"creditline":{"label":"Credit Line","value":"Gift of Robert Bishop"},"endDate":{"label":"End Date","value":"1897"},"sortNumber":{"label":"Sort Number","value":"1990    25    1"},"invno":{"label":"Accession number","value":"1990.25.1"},"description":{"label":"Description","value":"Double wedding design worked in candlewicking, two concentric circles in center"},"medium":{"label":"Medium","value":"Cotton with clipped cotton roving embroidery"},"geographyPlaceregion":{"label":"Place/Region","value":""},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/2119/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"2119"}},"title":{"label":"Title","value":"Double Wedding Ring Candlewick Spread"},"geographyCity":{"value":""},"textEntriesWebsitedisplaytext":{"value":["The popular pattern known as Double Wedding Ring is generally associated with bright cotton pieced quilts from the Depression era and later. This candlewick spread is dated 1897, indicating that the all-over composition of overlapping rings has a longer history in textiles. The sheared candlewick embroidery, a technique known as tufting, has fluffed up with exposure to moisture, anticipating the taste for chenille bedcovers that was to ensue during the 1930s to 1950s. Coincidentally, this was the heyday of the Double Wedding Ring pattern.Stacy C. Hollander, \"Double Wedding Ring Candlewick Quilt,\" exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.","confirm inscription in embroidery, unable to to determine from image"]},"bibliography":{"label":"Bibliography","value":""},"collections":{"label":"Collections","value":"Textiles"},"geography":{"label":"Geography","value":""},"id":{"label":"Id","value":"152535"},"geographyState":{"value":""},"signed":{"label":"Signed","value":"embroidered: 'LH'"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"103","content":"Artist unidentified"}},"classifications":{"label":"Classification(s)","value":"Textiles"},"textEntries":{"label":"Text Entries","value":["The popular pattern known as Double Wedding Ring is generally associated with bright cotton pieced quilts from the Depression era and later. This candlewick spread is dated 1897, indicating that the all-over composition of overlapping rings has a longer history in textiles. The sheared candlewick embroidery, a technique known as tufting, has fluffed up with exposure to moisture, anticipating the taste for chenille bedcovers that was to ensue during the 1930s to 1950s. Coincidentally, this was the heyday of the Double Wedding Ring pattern.Stacy C. Hollander, \"Double Wedding Ring Candlewick Quilt,\" exhibition label for White on White (and a little gray). Stacy C. Hollander, curator. New York: American Folk Art Museum, 2006.","confirm inscription in embroidery, unable to to determine from image"]},"beginDate":{"label":"Begin Date","value":"1897"},"displayDate":{"label":"Date","value":"1897"},"exhibitions":{"label":"Exhibitions","value":{"exhibitionDisplayDate":"1989-1998","exhibitionEndISODate":"1998","exhibitionID":"89","exhibitionISOBeginDate":"1989-04-26","exhibitionBeginDate":"1989","exhibitionTitle":"The Romance of the Double Wedding Ring Quilt (Great American Quilt Festival 2)","exhibitionEndDate":"1998"}},"dimensions":{"label":"Dimensions","value":"79 3/4 × 65\""}}]}