<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>The Who</value></field><field label="Date" name="displayDate"><value>1970s</value></field><field label="Dimensions" name="dimensions"><value>21 3/4 × 15 1/2"</value></field><field label="Medium" name="medium"><value>Gouache on paper</value></field><field label="Credit Line" name="creditline"><value>Gift of Helen and Jack Bershad</value></field><field label="Accession number" name="invno"><value>2012.20.9</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155147</value></field><field label="Source ID" name="sourceId"><value>4584</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Tuesday, June 11, 2013 - Sunday, September 22, 2013" exhibitionEndISODate="2013-09-22" exhibitionEndDate="2013" exhibitionISOBeginDate="2013-06-11" exhibitionBeginDate="2013" exhibitionTitle="Recent Gifts" exhibitionID="174"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="2069">James Lloyd</value></field><field label="Classification(s)" name="classifications"><value>Drawings</value></field><field label="Copyright" name="copyright"><value>Copyright for this work is under review.</value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value>Skirpenbeck</value></field><field name="geographyCity"><value>Skirpenbeck</value></field><field name="geographyCountry"><value>England</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Works on Paper</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value>Skirpenbeck</value></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>Before he started making art in a dedicated fashion, the English artist James Lloyd worked variously as a farmer, laborer, bus conductor, and policeman, among other occupations. In 1964 he became the unlikely subject of a television documentary by filmmaker Ken Russell, The Dotty World of James Lloyd. The title referred to the painstaking pointillist technique that Lloyd devised after realizing that reproductions of his favorite paintings by such artists as J.M.W. Turner and John Constable were composed of tiny dots of color in the chromolithographic printing process. He developed his own method of minute dot painting using brushes with just a few hairs to make verdant scenes of his English countryside and rural life.

Working at his kitchen table, surrounded by his large family, Lloyd joyously and meticulously recorded the nostalgic themes that were significant to him. In this example, though, the artist celebrates the famous rock band The Who through his almost obsessive accretion of depth and texture through hand-stippling.

Stacy C. Hollander, "The Who," exhibition label for Recent Gifts. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2013.</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/27902/full" mediaId="27902"/></field><field label="Begin Date" name="beginDate"><value>1970</value></field><field label="End Date" name="endDate"><value>1979</value></field><field label="Sort Number" name="sortNumber"><value>  2012    20    9                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>Before he started making art in a dedicated fashion, the English artist James Lloyd worked variously as a farmer, laborer, bus conductor, and policeman, among other occupations. In 1964 he became the unlikely subject of a television documentary by filmmaker Ken Russell, The Dotty World of James Lloyd. The title referred to the painstaking pointillist technique that Lloyd devised after realizing that reproductions of his favorite paintings by such artists as J.M.W. Turner and John Constable were composed of tiny dots of color in the chromolithographic printing process. He developed his own method of minute dot painting using brushes with just a few hairs to make verdant scenes of his English countryside and rural life.

Working at his kitchen table, surrounded by his large family, Lloyd joyously and meticulously recorded the nostalgic themes that were significant to him. In this example, though, the artist celebrates the famous rock band The Who through his almost obsessive accretion of depth and texture through hand-stippling.

Stacy C. Hollander, "The Who," exhibition label for Recent Gifts. Stacy C. Hollander, curator. New York: American Folk Art Museum, 2013.</value></field></object>