<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Coffee Pot</value></field><field label="Date" name="displayDate"><value>1815–1835</value></field><field label="Dimensions" name="dimensions"><value>8 5/8 × 9 1/2 × 6"</value></field><field label="Medium" name="medium"><value>Paint on asphaltum over tinplate</value></field><field label="Credit Line" name="creditline"><value>Gift of the Historical Society of Early American Decoration</value></field><field label="Accession number" name="invno"><value>76.4.2</value></field><field label="On View" name="onview"><value>0</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>155062</value></field><field label="Source ID" name="sourceId"><value>4477</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, June 20, 2012 - Sunday, October 7, 2012" exhibitionEndISODate="2012-10-07" exhibitionEndDate="2012" exhibitionISOBeginDate="2012-06-20" exhibitionBeginDate="2012" exhibitionTitle="COMPASS: Folk Art in Four Directions" exhibitionID="151"/><value exhibitionDisplayDate="Thursday, July 11, 2002 - Sunday, January 5, 2003" exhibitionEndISODate="2003-01-26" exhibitionEndDate="2003" exhibitionISOBeginDate="2002-07-11" exhibitionBeginDate="2002" exhibitionTitle="American Anthem" exhibitionID="73"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Containers</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain.</value></field><field label="Object Type" name="thesconceptsObjecttype"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24926</value></field><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value>Pennsylvania</value></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Three Dimensional Works</value><value>eMuseum - Collection Highlights</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>The tinware made in several Pennsylvania workshops from about 1800 to 1870 demonstrates certain regional preferences. These include red backgrounds and crystallized floors produced by the application of muriatic acid to an unpainted surface. Typical motifs on Pennsylvania tinware, seen especially on coffeepots, include circles with thinly painted white backgrounds and designs extending beyond the perimeter, large ocher motifs with fine blackwork, and white bands with flowers and fruit. Pennsylvania tinware also exhibits unusual color combinations and a great deal of "thumb work," a technique in which overtones are blended with a finger or thumb.

Stacy C. Hollander, "Coffeepot," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 318.</value></field><field label="Terms" name="thesconcepts"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24926</value></field><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24926</value></field><field label="Technique" name="thesconceptsTechnique"><value>http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24926</value></field><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4774/full" mediaId="4774"/><value mediaDepartment="Object Photographs - multiple objects" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/5226/full" mediaId="5226"/></field><field label="Begin Date" name="beginDate"><value>1815</value></field><field label="End Date" name="endDate"><value>1835</value></field><field label="Sort Number" name="sortNumber"><value>    76     4    2                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>The tinware made in several Pennsylvania workshops from about 1800 to 1870 demonstrates certain regional preferences. These include red backgrounds and crystallized floors produced by the application of muriatic acid to an unpainted surface. Typical motifs on Pennsylvania tinware, seen especially on coffeepots, include circles with thinly painted white backgrounds and designs extending beyond the perimeter, large ocher motifs with fine blackwork, and white bands with flowers and fruit. Pennsylvania tinware also exhibits unusual color combinations and a great deal of "thumb work," a technique in which overtones are blended with a finger or thumb.

Stacy C. Hollander, "Coffeepot," in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 318.</value></field></object>