<?xml version="1.0" encoding="UTF-8"?>
<object xmlns:xs="//www.w3.org/2001/XMLSchema"><field label="Title" name="title"><value>Pot of Flowers</value></field><field label="Date" name="displayDate"><value>1870s</value></field><field label="Dimensions" name="dimensions"><value>Frame Dimension: 17 × 15"</value></field><field label="Medium" name="medium"><value>Reverse painting and foil on glass, in rustic frame</value></field><field label="Credit Line" name="creditline"><value>Gift of Susan and Laurence Lerner</value></field><field label="Accession number" name="invno"><value>2009.13.23</value></field><field label="On View" name="onview"><value>0</value></field><field label="Description" name="description"><value>tinsel painting</value></field><field label="Classifications" name="classification"/><field label="Id" name="id"><value>154960</value></field><field label="Source ID" name="sourceId"><value>4335</value></field><field label="Width" name="width"/><field label="Exhibitions" name="exhibitions"><value exhibitionDisplayDate="Wednesday, September 12, 2012 - Sunday, January 20, 2013" exhibitionEndISODate="2013-01-20" exhibitionEndDate="2013" exhibitionISOBeginDate="2012-09-12" exhibitionBeginDate="2012" exhibitionTitle="FOILED" exhibitionID="150"/></field><field label="Height" name="height"/><field label="Alternative Numbers" name="altNums"/><field label="Depth" name="depth"/><field label="Primary Maker" name="primaryMaker"/><field label="Artist / Maker" name="people"><value displayOrder="1" personRole="Artist" personID="103">Artist unidentified</value></field><field label="Classification(s)" name="classifications"><value>Paintings</value></field><field label="Copyright" name="copyright"><value>The American Folk Art Museum believes this work to be in the public domain. </value></field><field label="Object Type" name="thesconceptsObjecttype"/><field label="Title (descriptive)" name="titlesDescriptive"/><field label="Title (popular)" name="titlesPopular"/><field label="Title (translated)" name="titlesTranslation"/><field label="Place/Region" name="geographyPlaceregion"><value/></field><field name="geographyCity"><value/></field><field name="geographyCountry"><value>United States</value></field><field name="geographyState"><value/></field><field label="Bibliography" name="bibliography"/><field label="Collections" name="collections"><value>Paintings</value></field><field label="Department" name="department"/><field label="Flex Fields" name="flexFields"/><field label="Geography" name="geography"><value/></field><field label="Object Names" name="names"/><field label="Last Updated" name="recordLastUpdated"/><field label="Text Entries" name="textEntries"><value>
Adirondack frames with oak-leaf corners were readily available from many sources. Adam J. Press Co., a Chicago manufacturer in the 1880s, sold a 9-by-11-inch size for $2.20 per dozen wholesale (Stanley B. Burns, Forgotten Marriage: The Painted Tintype &amp; the Decorative Frame, 1860-1910 a Lost Chapter in American Portraiture, 1995, p. 197). These inexpensive rustic frames were a perfect way to "complete" a tinsel picture.

Lee Kogan, "Pot of Flowers," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 68

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Carved rustic frame</value></field><field label="Terms" name="thesconcepts"/><field label="Titles" name="titles"/><field label="Title (artist's/given)" name="titlesArtists"/><field label="Title (former)" name="titlesFormer"/><field label="Title (inscribed)" name="titlesInscribed"/><field label="Type" name="type"/><field label="Materials" name="thesconceptsMaterials"/><field label="Technique" name="thesconceptsTechnique"/><field label="ArchiveSpace" name="altNumsArchivespace"/><field label="Media" name="media"><value mediaDepartment="Object Photographs" mediaType="Image" mediaURL="https://collection.folkartmuseum.org/internal/media/dispatcher/4485/full" mediaId="4485"/></field><field label="Begin Date" name="beginDate"><value>1870</value></field><field label="End Date" name="endDate"><value>1879</value></field><field label="Sort Number" name="sortNumber"><value>  2009    13   23                                                               </value></field><field name="textEntriesWebsitedisplaytext"><value>
Adirondack frames with oak-leaf corners were readily available from many sources. Adam J. Press Co., a Chicago manufacturer in the 1880s, sold a 9-by-11-inch size for $2.20 per dozen wholesale (Stanley B. Burns, Forgotten Marriage: The Painted Tintype &amp; the Decorative Frame, 1860-1910 a Lost Chapter in American Portraiture, 1995, p. 197). These inexpensive rustic frames were a perfect way to "complete" a tinsel picture.

Lee Kogan, "Pot of Flowers," FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 68

Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　

To help improve this record, please email photoservices@folkartmuseum.org</value><value>Carved rustic frame</value></field></object>