{"object":[{"sourceId":{"label":"Source ID","value":"4324"},"creditline":{"label":"Credit Line","value":"Gift of Susan and Laurence Lerner"},"endDate":{"label":"End Date","value":"1927"},"sortNumber":{"label":"Sort Number","value":"2009    13   13"},"invno":{"label":"Accession number","value":"2009.13.13"},"description":{"label":"Description","value":"tinsel painting"},"medium":{"label":"Medium","value":"Metallic paint on paper and cut paper with foil backing"},"geographyPlaceregion":{"label":"Place/Region","value":""},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/4475/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"4475"}},"title":{"label":"Title","value":"Viola # 14"},"geographyCity":{"value":""},"textEntriesWebsitedisplaytext":{"value":"Steel-pen drawings were intendened as exercises to train students in the perfection of their handwriting, but the flourishes and strokes led to a calligraphic art called Spencerian drawing, after Platt Rogers Spencer (1800-1864), a well-known penmanship instructor. In this contemporary homage to ornamental writing, the adept artist combined delicate calligraphy with the more robust tinsel painting.Lee Kogan, \"Viola,\" FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 76Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"collections":{"label":"Collections","value":"Paintings"},"geography":{"label":"Geography","value":""},"id":{"label":"Id","value":"154950"},"geographyState":{"value":""},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"103","content":"Artist unidentified"}},"classifications":{"label":"Classification(s)","value":"Paintings"},"textEntries":{"label":"Text Entries","value":"Steel-pen drawings were intendened as exercises to train students in the perfection of their handwriting, but the flourishes and strokes led to a calligraphic art called Spencerian drawing, after Platt Rogers Spencer (1800-1864), a well-known penmanship instructor. In this contemporary homage to ornamental writing, the adept artist combined delicate calligraphy with the more robust tinsel painting.Lee Kogan, \"Viola,\" FOILED: Tinsel Painting in America (New York: American Folk Art Museum, 2013), 76Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"beginDate":{"label":"Begin Date","value":"1927"},"displayDate":{"label":"Date","value":"1927"},"exhibitions":{"label":"Exhibitions","value":{"exhibitionDisplayDate":"Wednesday, September 12, 2012 - Sunday, January 20, 2013","exhibitionEndISODate":"2013-01-20","exhibitionID":"150","exhibitionISOBeginDate":"2012-09-12","exhibitionBeginDate":"2012","exhibitionTitle":"FOILED","exhibitionEndDate":"2013"}},"dimensions":{"label":"Dimensions","value":"12 x 15 3/4\""}}]}