{"object":[{"sourceId":{"label":"Source ID","value":"4241"},"altNumsArchivespace":{"label":"ArchiveSpace","value":["P1.2009.2","2009.3.2"]},"copyright":{"label":"Copyright","value":"Copyright for this work is under review."},"creditline":{"label":"Credit Line","value":"Gift of Jacqueline Loewe Fowler"},"endDate":{"label":"End Date","value":"1999"},"sortNumber":{"label":"Sort Number","value":"2009     3    1"},"invno":{"label":"Accession number","value":"2009.3.1"},"medium":{"label":"Medium","value":"Colored pencil, pencil, and ink on paper, with scotch tape"},"geographyPlaceregion":{"label":"Place/Region","value":"New York"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/4179/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"4179"}},"title":{"label":"Title","value":"Untitled (Singlair)"},"geographyCity":{"value":"New York"},"textEntriesWebsitedisplaytext":{"value":"The word Singlair in the center axis of this drawing by Melvin Way can be interpreted as a conjunction of sing and lair. Interestingly, before his commitment to visual arts, Way was a bassist in local bands. His creations are also \u201crefuges\u201d of cryptic imagery combined with algebraic equations, chemical formulas, and diagrams, which recalls his early passion for science. Even when Way slips in clues like \u201cAØ = God,\u201d his indecipherable elaborate schematics defy a linear comprehension\u2014not only because of the randomness in the coded elements but also because of the unrelated plastic spaces in which they are inscribed. The saturated compositions display multidimensional architectural renderings, crosscuts of machines, mathematical environments, and electromagnetic fields. Their opacity is symbolically reinforced by Way\u2019s use of tape, which partially seals the surface of each drawing. The artist once insisted that one should not experiment with the formulas contained in his pieces\u2014usually postcard-size\u2014because they are too powerful and dangerous.Valérie Rousseau, \u201cSinglair,\u201d exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"collections":{"label":"Collections","value":"Works on Paper"},"geography":{"label":"Geography","value":"New York"},"id":{"label":"Id","value":"154898"},"geographyState":{"value":"New York"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"1940","content":"Melvin Way"}},"classifications":{"label":"Classification(s)","value":"Drawings"},"textEntries":{"label":"Text Entries","value":"The word Singlair in the center axis of this drawing by Melvin Way can be interpreted as a conjunction of sing and lair. Interestingly, before his commitment to visual arts, Way was a bassist in local bands. His creations are also \u201crefuges\u201d of cryptic imagery combined with algebraic equations, chemical formulas, and diagrams, which recalls his early passion for science. Even when Way slips in clues like \u201cAØ = God,\u201d his indecipherable elaborate schematics defy a linear comprehension\u2014not only because of the randomness in the coded elements but also because of the unrelated plastic spaces in which they are inscribed. The saturated compositions display multidimensional architectural renderings, crosscuts of machines, mathematical environments, and electromagnetic fields. Their opacity is symbolically reinforced by Way\u2019s use of tape, which partially seals the surface of each drawing. The artist once insisted that one should not experiment with the formulas contained in his pieces\u2014usually postcard-size\u2014because they are too powerful and dangerous.Valérie Rousseau, \u201cSinglair,\u201d exhibition label for Self-Taught Genius: Treasures from the American Folk Art Museum. Stacy C. Hollander and Valérie Rousseau, curators. New York: American Folk Art Museum, 2014. Object information is a work in progress and may be updated with new research. Records are reviewed and revised, and the American Folk Art Museum welcomes additional information.　To help improve this record, please email photoservices@folkartmuseum.org"},"beginDate":{"label":"Begin Date","value":"1970"},"displayDate":{"label":"Date","value":"Late 20th century"},"exhibitions":{"label":"Exhibitions","value":[{"exhibitionDisplayDate":"Friday, January 21, 2022 - Monday, September 5, 2022","exhibitionEndISODate":"2022-09-05","exhibitionID":"251","exhibitionISOBeginDate":"2022-01-21","exhibitionBeginDate":"2022","exhibitionTitle":"MULTITUDES","exhibitionEndDate":"2022"},{"exhibitionDisplayDate":"Wednesday, September 27, 2017 - Thursday, February 8, 2018","exhibitionEndISODate":"2018-02-08","exhibitionID":"214","exhibitionISOBeginDate":"2017-09-27","exhibitionBeginDate":"2017","exhibitionTitle":"Highlights from Self-Taught Genius","exhibitionEndDate":"2018"},{"exhibitionDisplayDate":"Tuesday, October 6, 2009 - Sunday, September 5, 2010","exhibitionEndISODate":"2010-09-05","exhibitionID":"147","exhibitionISOBeginDate":"2009-10-06","exhibitionBeginDate":"2009","exhibitionTitle":"Approaching Abstraction","exhibitionEndDate":"2010"},{"exhibitionDisplayDate":"Tuesday, May 13, 2014 - Sunday, August 17, 2014","exhibitionEndISODate":"2014-08-17","exhibitionID":"171","exhibitionISOBeginDate":"2014-05-13","exhibitionBeginDate":"2014","exhibitionTitle":"Self-Taught Genius","exhibitionEndDate":"2014"}]},"altNums":{"label":"Alternative Numbers","value":["P1.2009.2","2009.3.2"]},"dimensions":{"label":"Dimensions","value":"Sheet: 19 1/2 x 22 \" (49.5 x 55.9 cm)"}}]}