{"object":[{"sourceId":{"label":"Source ID","value":"4232"},"copyright":{"label":"Copyright","value":"The American Folk Art Museum believes this work to be in the public domain."},"thesconceptsTechnique":{"label":"Technique","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24594"},"creditline":{"label":"Credit Line","value":"Gift of the Historical Society of Early American Decoration"},"endDate":{"label":"End Date","value":"1835"},"sortNumber":{"label":"Sort Number","value":"59    17"},"invno":{"label":"Accession number","value":"59.17"},"medium":{"label":"Medium","value":"Paint on tinplate"},"geographyPlaceregion":{"label":"Place/Region","value":"Stevens Plains (now Westbrook)"},"media":{"label":"Media","value":{"mediaURL":"https://collection.folkartmuseum.org/internal/media/dispatcher/4132/full","mediaDepartment":"Object Photographs","mediaType":"Image","mediaId":"4132"}},"title":{"label":"Title","value":"Bun Basket"},"geographyCity":{"value":"Stevens Plains (now Westbrook)"},"textEntriesWebsitedisplaytext":{"value":"Zachariah Brackett Stevens (1778\u20131856) is first known as a tinsmith in 1798, when he opened a shop in his native Stevens Plains, Maine. His success in markets as far away as New Hampshire, Massachusetts, and Canada attracted other tinsmiths to Maine from Berlin, Connecticut, the center of American tinmaking from the time the industry was pioneered by Edward Pattison about fifty years earlier. From about 1825 to 1830, Stevens's sons Alfred and Samuel headed the operation. Many of the designs were applied while the base coat was still wet, in a technique known as \"wet in wet.\" The double cherry is considered a Zachariah Stevens hallmark; other typical motifs include fluffy white and yellow flowers with varied petal structures and cross-hatching, shells, and three-pronged leaves.Stacy C. Hollander, \"Bun Basket,\" in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 317."},"collections":{"label":"Collections","value":["Three Dimensional Works","eMuseum - Collection Highlights"]},"geography":{"label":"Geography","value":"Stevens Plains (now Westbrook)"},"id":{"label":"Id","value":"154890"},"geographyState":{"value":"Maine"},"thesconceptsMaterials":{"label":"Materials","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24594"},"geographyCountry":{"value":"United States"},"onview":{"label":"On View","value":"0"},"people":{"label":"Artist / Maker","value":{"displayOrder":"1","personRole":"Artist","personID":"1976","content":"Stevens Tinshop"}},"classifications":{"label":"Classification(s)","value":"Containers"},"textEntries":{"label":"Text Entries","value":"Zachariah Brackett Stevens (1778\u20131856) is first known as a tinsmith in 1798, when he opened a shop in his native Stevens Plains, Maine. His success in markets as far away as New Hampshire, Massachusetts, and Canada attracted other tinsmiths to Maine from Berlin, Connecticut, the center of American tinmaking from the time the industry was pioneered by Edward Pattison about fifty years earlier. From about 1825 to 1830, Stevens's sons Alfred and Samuel headed the operation. Many of the designs were applied while the base coat was still wet, in a technique known as \"wet in wet.\" The double cherry is considered a Zachariah Stevens hallmark; other typical motifs include fluffy white and yellow flowers with varied petal structures and cross-hatching, shells, and three-pronged leaves.Stacy C. Hollander, \"Bun Basket,\" in American Anthem: Masterworks from the American Folk Art Museum (New York: Harry N. Abrams in association with American Folk Art Museum, 2001), 317."},"beginDate":{"label":"Begin Date","value":"1815"},"thesconcepts":{"label":"Terms","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24594"},"displayDate":{"label":"Date","value":"1815\u20131835"},"exhibitions":{"label":"Exhibitions","value":[{"exhibitionDisplayDate":"Thursday, July 11, 2002 - Sunday, January 5, 2003","exhibitionEndISODate":"2003-01-26","exhibitionID":"73","exhibitionISOBeginDate":"2002-07-11","exhibitionBeginDate":"2002","exhibitionTitle":"American Anthem","exhibitionEndDate":"2003"},{"exhibitionDisplayDate":"Wednesday, June 20, 2012 - Sunday, October 7, 2012","exhibitionEndISODate":"2012-10-07","exhibitionID":"151","exhibitionISOBeginDate":"2012-06-20","exhibitionBeginDate":"2012","exhibitionTitle":"COMPASS: Folk Art in Four Directions","exhibitionEndDate":"2012"},{"exhibitionDisplayDate":"Saturday, April 4, 1992 - Sunday, September 6, 1992","exhibitionEndISODate":"1992-09-06","exhibitionID":"406","exhibitionISOBeginDate":"1992-04-04","exhibitionBeginDate":"1992","exhibitionTitle":"The Art of Embellishment","exhibitionEndDate":"1992"}]},"thesconceptsObjecttype":{"label":"Object Type","value":"http://nodes.emuseum.com/BU1BGBAG/apis/emuseum/network/v1/vocabularies/termMaster24594"},"dimensions":{"label":"Dimensions","value":"3 × 12 1/2 × 8 1/2\""}}]}